Agatha Christie – figlia – e la sua BD
Titolo: Le crime de l’Orient-Express
Collezione: B.Détectives. – Le Masque présente
Soggetto: Agatha Christie
Sceneggiatura: François Rivière
Disegni: Jean-François Miniac
Editore: Claude Lefrancq Editeur
Data: 01/01/1995
Paese: Belgio
Pagine: 44
Natacha BD street
The street dedicated to Natacha. Natacha is a Franco-Belgian comics series, created by François Walthéry and Gos. Drawn by Walthéry, its stories have been written by several authors including Gos, Peyo, Maurice Tillieux, Raoul Cauvin and Marc Wasterlain.[1] It was first published in the Franco-Belgian comics magazine Spirou on February 26, 1970. The series eventually ended serial publication in Spirou, leaving its publisher Dupuis, and began publishing albums only through Marsu Productions in 1989, starting with the album Cauchemirage.
photo: Monica
François Walthéry (born 17 January 1946 in Argenteau near Liège) is a Belgian comics artist, best known for his series featuring an adventurous flight attendant, Natacha.
Walthéry began his career in 1962 during studies at the Institut Saint-Luc in Liège, when he collaborated with scenario writer Mittéï to create his first comic, Pipo. The following year, Walthéry started working for Peyo, assisting on The Smurfs, Johan et Pirlouit and Benoît Brisefer. Eventually he assumed creative responsibility of the series Jacky et Célestin, taking over from Will.
He started his best known work series in 1967, working with a script by Gos to create Natacha. Several years in the making, the series did not make its debut until 26 February 1970, in the Franco-Belgian comics magazine Spirou.
Eddy Paape et le clown Nono. Naît le 3 juillet 1920 dans la ville belge de Grivegnée près de Liège d’un père militaire de carrière prénommé Adolphe et d’une mère employée dans un magasin. En 1925, la famille change de vie et déménage à Forest à côté de Bruxelles pour reprendre une blanchisserie. C’est à cette époque qu’Édouard développe sa passion pour le dessin et que, plus tard, il souhaite dessiner et construire des ponts. Très jeune, il est repéré par une troupe pour participer à des spectacles publicitaires pour enfants financés par les confiseurs Lamy Lutti. Il y interprète le clown Nono et est le plus jeune participant du spectacle. Si les représentations ont lieu le jeudi après-midi, les répétitions se déroulent le mardi et le mercredi, dans l’ensemble de la Belgique. En 1941, il abandonne les planches pour gagner sa vie.
Eddy Paape was one of the classic artists of 20th century Belgian comics. After his studies in applied arts, he started out working in the C.B.A. animation studio with Jacques Eggermont in his birthtown Liège in 1942. There, he met André Franquin and Morris, who introduced him to Dupuis publishers. For this publisher, he began making some cover illustrations for Bonnes Soirées magazine, as well as assisting Jijé on the ‘Emmanuel’ comic.
His first large comics assigment was taking over the ‘Valhardi’ series from Jijé. Paape drew this detective series between 1946 and 1954 in Spirou, working with scenarists like Jean Doisy, Jean-Michel Charlier and Yvan Delporte. However Paape did a great job on this detective series, only a few of his stories have appeared in albums.
Paape was affiliated with Georges Troisfontaines’s World Press syndicate, and through this agency, he illustrated the first stories in the educational ‘Les Belles Histoires de l’Oncle Paul’ series. He also assisted Hubinon on ‘Buck Danny’ and ‘Surcouf’, and provided the illustrations for sections llike ‘Le Coin des Petits Curieux’, ‘Le Coin des Dégourdis’ and ‘Questionnez, le Fureteur vous répondra’.
Paape was additionally present in Risque-Tout with ‘André Lefort’ (scripts by Charlier) and he drew various stories for La Libre Belgique and Pistolin under the pseudonyms Mil Pat and Jo Legay. Together with Jean-Michel Charlier, Paape started his first personal series, ‘Marc Dacier’, in Spirou in 1958. At first he was still strongly influenced by Hubinon in his artwork, but along the way the acquired his own, personal style. In that same year, he made a comics biography of ‘Winston Chuchill’ with scriptwriter Octave Joly
While active for Spirou, Paape also worked for Record and Pilote on the side. In Record, he made ‘Ned Tiger’ with Charlier and ‘Pathos de Sétungac’ with Hubinon in the period 1962-65. In Pilote he produced various short stories and game pages, using the signatures Péli and Jo Legay.
In 1966, Eddy Paape stopped his collaboration with Spirou and joined Tintin. There, he made short stories with Yves Duval and he started his most famous series, the science-fiction comic ‘Luc Oriënt’, with the scenarist Greg. Other series he created for Tintin were ‘Jeux de Toah’ (in 1969 with André-Paul Duchâteau), ‘Tommy Banco’ (in 1970 with Greg), ‘Yorik des Tempêtes’ (in 1971 with Duchâteau) and ‘Udolfo’ (in 1978 with Andreas and Duchâteau).
In 1978, Paape was present in Deligne’s Spatial magazine. Ten years later, he created the series ‘Les Jardins de la Peur’ with Jean Dufaux and Sohier for Dargaud (and later Les Humanoïdes Associés). He worked with Duchateau again on ‘Carol Détective’ for Hello Bédé in 1990, and in 1992 he refound Greg with ‘Johnny Congo’ for the publisher Lefrancq. Paape made a comics version of ‘Les Misérables’ with Michel Deligne for Ed. Le Droit d’Écrire’ in 1995. Six years later, he produced ‘Le Porte-Bonheur’ with Beer for Éditions Salek.
Between 1969 and 1976, Paape was a teacher at the Saint-Luc institute in Brussels, where the taught several artists of new generation the finer points of the comics profession, such as Andreas, Wurm and Berthet. After his retirement, Paape continued to attend comics festivals and signing sessions. He passed away on 12 May 2012, at the age of 91.
from www.lambiek.net