Italian Spiderman or Uomo Ragno
Italian Spiderman or Uomo Ragno
Series published in the SuperGulp magazine, 1978
Art: Giancarlo Malagutti, Giorgio Montorio
Tag Archivio per: Francisco Ibáñez
Mortadelo y Filemón – Caccia al ladro
Mortadelo y Filemón – Caccia al ladro
Non sarà sfuggito ai più attenti, un personaggio (non sappiamo chi non abbiamo visto tutti gli episodi) compie una rapina con la maschera di Mortadelo. Mortadelo e Filemon, una delle più divertenti serie a fumetti che ha , purtroppo avuto poca traduzione in Italia. Esiste una breve serie tradotta benissimo da Ferruccio Alessandri per le edizioni Edizioni Willliams Inteuropa degli anni ’70. Solo 4 numeri. Inspiegabile perché
Mortadelo y Filemón (in italiano come Mortadella e Filemone), testo e disegni di Francisco Ibáñez, è uno dei fumetti più esilaranti.
Dal fumetto sono stati prodotti film d’animazione e live. Info su volume M de dizionario fumetto-cinema
Titolo: Atrapa a un ladron (Caccia al ladro)
Serie TV
Paese: Argentina
Anno: 2019 – in corso
Genere: azione, drammatico
Stagioni: 1
Episodi 10
Lingua: spagnolo
Creato: Javier Olivares
Interpreti e personaggi: Pablo Echarri, Alexandra Jimenez
Produzione: Viacom International Studios
Rete italiana: Paramount Channel
Happy B’day Jacovitti
Happy B’day Jacovitti
Benito Jacovitti
Lisca di Pesce, Jac
(9 March 1923 – 3 December 1997, Italy)
Benito Jacovitti is probably the most famous Italian satirical cartoonist, best known for his absurd and humorous series full of grotesque characters and bizarre events, like ‘Cocco Bill’ and ‘Zorry Kid’. He was born Benito Franco Iacovitti in Termoli, in the province of Campobasso, as the son of a railroad worker and a mother of Albanese origins. His father had a fascination for the powerful political figures of the time, hence his son’s first names. Young Benito drew his first comic stories on the stones of the Termoli pavements at the age of 6.
He eventually headed to Florence, where he attended Art School. By 1939, Jacovitti (he artistically exchanged the first letter of his family name for a J) contributed his first cartoons to the satirical weekly Il Brivido. At this time, he also made the sole continuing story of his career for the Turin based publisher La Taurina, titled ‘L’Eroe delle Cinque Giornate’.
ct’d Lambiek
Help ! The women are coming!
Help ! The women are coming!
Gynophobia or Misogyny ? In every country cartoonists has been jumping through hoops to draw women in comics. In USA, Italy, France.
This is Spain:
“Graphically, it was unthinkable to use the line drawing to draw a vignette. As soon as the censor saw a straight line, he crossed it out saying excitedly that he was a virile member. Of course, it was not allowed to make too many curves because they were associated with the ladies ».
Interview with Francisco Ibáñez, by Carmen Fernández. El Dominical of El Periódico, nº 122, Barcelona, March 22, 1987.
Page: La Osa Mayor, Agencia Teatral, series by Manuel Vázquez, taken from Can Can nº 13 (5-V-1958).
In Spain, legally, the censorship disappears with the Royal Decree Law of April 1, 1977, which regulates freedom of expression in print media (on October 6 of that same year it would be extended to radio and television) although prohibitions are maintained on contents that undermine the Royal Family, the unit of Spain or the Armed Forces. Also, remember that “the administrative seizure of graphic or sound, obscene or pornographic printed matter may be decreed”.