Xtina, A Merry Christmas To All! in Disney’s style
Xtina, A Merry Christmas To All! in Disney’s style
Xtina, A Merry Christmas To All! in Disney’s style
Prince Valiant, a great (and big) Christmas gift
Women cartoonists: Janice Valleau
Janice Valleau (November 6, 1923 – December 8, 2013), sometimes credited as Ginger or Janice S., was a Golden Age artist and inker who worked for MLJ (Archie) Publications, Charlton Comics, Novelty Press, and Quality Comics.
Janice Valleau was born to John McChesney and Gertrude (Kaiser) Valleau, and grew up in Teaneck, New Jersey.[1][2] Valleau’s father was an executive at Paine Webber. She contracted polio as a child and had to wear leg braces until young adulthood. Her first published work appeared in Smash Comics, published when she was just 16. After high school, she attended the Phoenix Art Institute where she studied commercial art.
When she graduated, she went to work for MLJ (Archie) Publications; Archie creator Bob Montana was also an alumnus of Phoenix. She began working for Quality Comics soon after, and worked in comics for the next eleven years.[3] She is best known for her work on the “Toni Gayle” feature for Young King Cole featuring a glamorous model-detective.
She met her husband, Edward, in 1948. In the mid-1950s, they moved to Pittsburgh, where she continued to work on comics. She left comics in 1955 after the Wertham-era crackdown, which put her off working professionally in any art field. In her 60s, she returned to art and took up painting recreationally and continued well into her 80s.[3] In 1982, she moved to Florida with her husband. They had four children: Steve, Daniel, Dale, and Ellen.[1] Her husband died in 2009 after 61 years of marriage.
She passed away at age 90 in Jacksonville, Florida, after some time in hospice care.
A beautiful Xmas gift received: Mutts the art of nothing by Patrick McDonnell
Outis Comics Christmas Tree
Look at all our books on Outisfumetti
Women cartoonist: Nina Albright
Nina Albright
(15 February 1907 – 7 February 1997, USA)
Nina Albright worked on comic books through studios like Funnies Inc, L.B. Cole and Bernard Bailey in the 1940s. For Novelty Press in New York, she worked on comic titles like ‘Young King Cole’, ‘Lem the Grem’, ‘Dr Doom’, ‘Bull’s Eye Bill’ and ‘The Cadet’, which appeared in Novelty Press publications like 4most. She also workedon Fiction House features like ‘Captain Terry Thunder’, ‘Hooks Devlin’, ‘Inspector Dayton’ and ‘Senorita Rio’. She additionally worked for Holyoke (‘Miss Victory’, ‘Molly O’Moore’, ‘Mr Nobody’), Aviation Press (‘Black Venus’) and illustrated romance stories for Marvel, Archie Publications, St. John and Ziff-Davis up until the early 1950s. By then, she switched to illustrating, working for magazines like American Girl and the Polly French series.
Xtina and the the best private eye
the thanksgiving in the comic books
35 Comic Book Covers Celebrating Thanksgiving
Volume: Looney Tunes and Merrie Melodies Comics
Issue Number: 38
Cover Date: December 1944
Publisher: Dell
Mickey Mouse and The mysterious double strip of January 28, 1930
Serie: Mickey Mouse (Topolino in Italy)
Title: Lost on a Desert Island (italian title : Topolino nell’isola misteriosa)
Language: English
Country: US
Text: Walt Disney
Art: Ub Iwerks (13/01-08/02), Win Smith (10/02-31/03)
Distribuited: Walt Disney Productions
Published from January 13th through March 30th of 1930.
Newspaper comic strip,
Women cartoonist: Jill Elgin
Jill Elgin (13 January 1923 – 25 January 2005, USA)
Jill Elgin was the pen name of Kathleen Josephine Elgin, born January 13, 1923 in Princeton, New Jersey. Her father, Charles Porter Elgin, was born in 1897 in Columbus, Ohio. Her mother, Mary Leantine Poore, was born in 1897 in Ohio. Her parents married on August 1, 1919. The father was a graduate student in the Department of Electrical Engineering at Princeton University.
In 1923 the father graduated with a Masters Degree in Electrical Engineering from Princeton, after which he was hired as a consultant for the New York Telephone Company.
In 1924 he was hired as a consultant for the Ohio Bell Telephone Company in his home town, Columbus, Ohio, so the family moved to Columbus.
In 1925 her sister, Susanne Elgin, was born. Two years later the youngest sister, Charlene Elgin, was born.
In 1931 the father bought the Cedarville Ohio Dolomite Company, so the family moved to Cedarville.
By 1932 the three daughters were attending public school in Xenia, Ohio, so the family moved to 241 North King Street in Xenia.
On November 21, 1936 the student newspaper published a brief profile on Kathleen Jo Elgin, in which she said her favorite activity was “drawing” and her career choice would most likely be “bubble dancer.”
In 1937 Kathleen Jo Elgin drew a comic strip for the student newspaper, which was published every Saturday in the local newspaper, The Xenia Gazette. The young artist signed her comic strip “Jo Elgin.”
In June of 1939 Kathleen Jo Elgin graduated from Xenia High School.
In September of 1940, at the age of seventeen, she moved to Dayton, Ohio, to study art at the Dayton Art Institute. She lived at 125 West First Street.
In 1940 the U.S. government began to require draft registration for all able-bodied men over the age of 18. War was declared after the Japanese attacked Pearl Harbor on December 7, 1941, and the nation mobilized for victory.
Kathleen Jo Elgin’s father, Charles Porter Elgin, who was a veteran of the Great War, re-enlisted at the age of forty-four. He served as a Major in the Air Force, and was was stationed at the engineering department of the Lindly Aviation Company of Mineola on Long Island, New York. Mrs. Elgin and her three daughters left Xenia, Ohio, and moved to Hampton Bays, Long Island, NY.
In 1942 Kathleen Jo Elgin left Hampton Bays and moved to New York City to attend night classes at the National Academy of Design at 1083 Fifth Avenue at 89th Street. She lived at The Ansonia Hotel, a grandiose apartment complex at 2109 Broadway, between 73rd and 74th Streets, on the Upper West Side.
At first she supported herself by doing freelance commercial art for advertising agencies, but as money ran low she began to look for steady work as a staff artist. She visited NYC publishing companies with her portfolio, which featured her first published work – the high school comic strip, signed “Jo Elgin,” that had appeared in The Xenia Gazette.
cont’d Pulpartists