Aggiornamento 2024 Dizionario enciclopedico Film a Fumetti
Encyclopedia/dictionary dedicated to comics that were adapted into films, TV serials, TV movies, cartoons, radio serials, theater pieces.
Xtina Mother’s Day 7 years of strips
Adam‘s Rome Open City episode 38
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
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Xtina deconstructed art
Centered on the life of Xtina, in her work as assistant in a Museum, Xtina’s chronicles the daily challenges of a worker. At work, we follow xtina as she copes with friends, relationships, and the day-to-day trials of a working woman living life in the 21st century.
Adam‘s adventure Rome Open City episode 37
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
previous pages 36 – 35 – 34 – 33 – 32 – 31 – 30 – 29 – 28 – 27 – 26 – 25 – 24 – 23 – 22 – 21 – 20 – 19 – 18 – 17 – 16 – 15 –14 – 13 – 12 – 11 – 10 – 9 – 8 – 7 – 6 – 5 – 4 – 3 – 2 – 1
Gianni De Luca maestro della nebbia, e non solo.
Gianni De Luca maestro della nebbia, e non solo. La nebbia milanese resa magistralmente dall’artista romano. Ma De Luca era un gran disegnatore di mani e di perfette automobili.
Tavole tratte da “il mondo di Sgrinfia”, serie Commissario Spada, Il Giornalino 49>52 (1974) e 1>7 (1975)
Adam‘s adventure Rome Open City episode 36
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
previous pages 35 – 34 – 33 – 32 – 31 – 30 – 29 – 28 – 27 – 26 – 25 – 24 – 23 – 22 – 21 – 20 – 19 – 18 – 17 – 16 – 15 –14 – 13 – 12 – 11 – 10 – 9 – 8 – 7 – 6 – 5 – 4 – 3 – 2 – 1
Xtina, Batman and…
