Tag Archivio per: EDUCATIONAL

Mathias and Anna volume 2

Mathias and Anna volume 2

scheduled October 2016

Commissario Spada by Gianni De Luca

Commissario Spada by Gianni De Luca.

Gianni de Luca (Gagliato, 27 gennaio 1927Roma, 6 giugno 1991) è stato un fumettista, illustratore, pittore e incisore italiano.

https://it.wikipedia.org/wiki/Gianni_de_Luca#Il_commissario_Spada

Il commissario Spada

Dopo alcuni anni dedicati all’illustrazione, il 1967 segna il ritorno al fumetto con L’ultima Atlantide, storia dai toni melodrammatici ospitata sulle pagine de Il Giornalino a tutta pagina a colori. Ristampata una prima volta in bianco e nero e in formato leggermente ridotto su Comics di marzo/maggio 1974, in calce alla prima tavola si legge la data di esecuzione: 6 marzo 1957, ma già alla 4ª tavola si passa alla firma autografa seguita da 64 (1964).

Il 1969 è un anno molto importante nella carriera di de Luca. Non solo per il suo ritorno definitivo al fumetto con Bob Jason, ciclo di genere western, ma soprattutto è l’anno che precede l’esordio, sempre sulle pagine de Il Giornalino, del commissario Eugenio Spada, le cui avventure vengono scritte dal giornalista e scrittore di fantascienza Gian Luigi Gonano, che alla fine degli anni sessanta lavora ancora come freelance a Parigi. I due autori vengono presentati da Gino Tomaselli, redattore della testata e modello per la prima versione di Spada, nonché ispiratore della serie: il personaggio di Spada è in sé semplice ma assolutamente innovativo per molti motivi. In primo luogo la rivista che lo pubblicava era un giornale rivolto ai ragazzi e ai giovani, a quel tempo distribuito soprattutto nelle parrocchie e questo dà l’idea di quanto coraggiosa potesse essere la proposta; poi, a differenza di molti altri fumetti dell’epoca, era assolutamente aderente alla realtà violenta di tutti i giorni, in particolare a quella di Milano. I due autori, grazie al contemporaneo appoggio della redazione, dell’editore e del pubblico, poterono continuare fino al 1982 nella loro opera: da un lato Gonano con testi e storie assolutamente attuali (indagini classiche, criminalità organizzata, sette sataniche, terroristi, assassini, sono solo alcuni dei temi trattati) e con soventi alleggerimenti (grazie al sapiente utilizzo del figlio di Spada, Mario, ed all’inserimento di gag e trovate comiche utili a spezzare la tensione), dall’altro i personaggi asciutti e al contempo nervosi di de Luca, dettagliati ed espressivi.

Così, mentre oltreoceano il fumetto era uscito dalla rivoluzione cinematografica dello Spirit eisneriano, in Italia Gianni de Luca proponeva tavole con vignette orizzontali, sagome appena abbozzate per dare l’idea del movimento e, sempre per lo stesso motivo, personaggi presenti più volte nella stessa vignetta, quasi come se non si accontentassero dell’angusto spazio offerto dalla griglia classica. Questa idea, abbastanza ardita ma al tempo stesso apprezzata, viene portata ai massimi livelli quando viene proposto all’artista calabrese di realizzare una versione a fumetti di tre grandi opere shakespearianeAmletoLa tempesta e Romeo e Giulietta.

 

Golden age comic strips: Ley

Golden age comic strips. French. Edgar Ley Born in Peking into a Walloon-Dutch family, Edgar Ley studied fine arts in Brussels, Belgium. He began his artistic career as a press illustrator. In 1949 he was present in the Flemish magazine Kleine Zondagsvriend with the historical comics stories ‘Dirk, de held van Brugge’ and ‘Carausius, de Vlaamse Cesar’

        Frank, daily comic strips. 1500 strips, 1952 to 1958
      Retour sur terre, au début des années 50. Frank et Linda s’aventurent en pays Maya, lieu d’un culte cruel pour une idole au regard vert, lieu où la belle Princesse Zarina n’a d’yeux que pour Frank… Dans la lignée des bandes belges avec texte sous l’image, notamment “Eric l’homme du nord”, de Hans Kresse, Edgar Ley a publié dans le quotidien belge “Le Peuple”, de 1951 à 1955, 12 épisodes, soit 952 bandes de Frank, un aventurier qui faisait alors preuve d’une modernité restée sans suite. La cause en est certainement dans le manque de diffusion de la série, qui n’a pas été reprise en dehors de son quotidien d’origine. En 1951, trois albums étaient sortis, reprenant les trois premiers épisodes. C’est le second d’entre eux qui est réédité par Pressibus en l’année 2000, presque 50 ans plus tard…

 

Anna e Mathias vanno in vacanza

Anna e Mathias vanno in vacanza e torneranno venerdì 26 agosto.

Illustrazione di Eva Castelli.

Dopo aver frequentato la scuola del fumetto di Milano ha iniziato a lavorare presso il Kawaii Studio e a collaborare come colorista per svariati progetti Disney. Nel mentre collabora con qualche autoproduzione ed è sempre alla ricerca di lavori nuovi. Inizia a colorare le tavole di Mathias qualche anno più tardi, dopo aver incontrato Giancarlo e aver concluso con lui progetti come Anna dai capelli rossi e Nuvolari.

GENRE:

Adventure/Mystery/

 TARGET READERSHIP:

All ages, both sexes

SETTING:

Well known and characteristic cities and locations in Italy

SET IN:

The Present Day

STRUCTURE & TONE OF THE STORIES:The two protagonists in this series are children and, despite their superhuman potentialities, they behave as such. They always travel accompanied by an adult, they never go out late at night and wherever they stay they’re in the company of  relatives. It is within this context that the storyline develops in its own way. They’re not out to  put the world to rights, yet they are endowed with a strong sense of justice and they seek to do good in the face of evil.

 

 

 

 

Anna & Mathias #27

Anna e Mathias #27, nuova avventura a Venezia dal titolo “un inferno a Venezia”. Proseguono le avventure.

Album #2, fall 2016

SERIE: Mathias

STORY/ART: Giancarlo Malagutti

GENRE: Adventure/Mystery/Thriller/Fantasy

TARGET READERSHIP: All ages, both sexes

SETTING: Well known and characteristic cities and locations in Italy

SET IN: The Present Day

STRUCTURE & TONE OF THE STORIES: The two protagonists in this series are

children and, despite their superhuman potentialities, they behave as such. They always

travel accompanied by an adult, they never go out late at night and wherever they stay

they’re in the company of relatives. It is within this context that the storyline develops in

its own way. They’re not out to put the world to rights, yet they are endowed with a

strong sense of justice and they seek to do good in the face of evil.

COLLECTION: Each episode is 44 pages long and is a complete and free-standing story.

Reading them in order is recommended. In full colors.

5 episodes ready for print.

THE PROTAGONISTS:

Mathias is a blond 10 year-old. He’s knowledgeable for his age as a result of his

somewhat cosmopolitan education.

Anna is a freckly 10 year-old redhead. Orphaned at an early age she has an elderly

bedridden granny. Lively, intelligent and with a searching mind, she’s the one with the

sense of humour and sharp one liners.

ARTIST BIO: Giancarlo Malagutti began his career in 1973 by drawing cartoons for the monthly publication Horror. He has worked alongside Renzo Barbieri and Giorgio Cavedon on several cartoons. Malagutti has drawn several one off short stories for Intrepido, Monello and Albo TV and has inked the drawings of Sergio Zaniboni for Diabolik which is where he began to write scripts. In 1981 he began freelancing for IF, working on Japanese cartoons including Princess Zaffiro, Tiger Man and Bia. In 1982 he created the series The Reporters drawn by Zaniboni for Orient Express. After having written a story line for Martin Mystère he worked as a commercial artist for some twelve years until 1994 when he resumed his work in cartoons, writing stories for Lupo Alberto, Cattivik and Mystère. Most recently he has been working on the characters of Chris Carella in collaboration with Sergio Zaniboni and both the drawings and script for Mathias www.mathias.is.it

(For a short biography visit http://www.lambiek.net/artists/m/malagutti_giancarlo.htm)

Personnages principaux:

Mathias est un normal garcon de 9 ans, blondin, mignon. fils de parents aisés qui, à cause de leur travail, lui font parcourir le vaste monde. Il a une bonne culture, malgré son âge, grâce a sa formation cosmopolite. En certaines situations, spécialement lorsque il est sous stress, il réussit à modifier (pour des petites choses) la réalité.

Anna: fillette de 9 ans, cheveux roux et lentilles. Orpheline, elle vit avec une grand-mère agée immobilisée au lit. Tres éveillée, intelligente et curieuse. C’est elle qui s’occupe de sa grand-mère. Elle vit avec l’épée de Damoclés d’être envoyée dans un orphelinat et sa grand-mère expediée à l’hospice de pauvres. très indigente, son unique revenu est la pension de sa grand-mère. Elle parâit seulement dans cet épisode mais elle peut revenir.

Texte/dessins: Giancarlo Malagutti

Genre: mystery/humour/ fantasy

Target: 8/12 ans (mais adultes aussi)

Recostitution: World

Epoque: de notre temps

Giancarlo Malagutti.

Il fait ses débuts en 1973 en réalisant les crayons de quelques histires pour la publication mensuelle Horror (Ed.Astoria). Il dessine quelques histoire sur L’Intrepido, L’Albo et Il Monello (Ed. Universo), Il encre les crayons de S.Zaniboni pour Diabolik.

En 1981 il réalise  la version en bandes dessinées des séries  télévisées de Princesse Saphir, Homme Tigre, Bia. En 1982 il crée la série “The Reporters”

dessinée par Sergio Zaniboni. Aprés avoir écrit pour Martin Mystére (Sergio Bonelli Editore), il se consacre au travail publicitaire et quitte pour le moment l’activité d’auteur de BD  qu’il reprend quelques années aprés en écrivant des scénarios de Lupo Alberto et Cattivik (Acme/macchia nera) et Martin Mystére

Mantova in comics: Garth

Mantova, nei comics, che sarebbe luogo ideale per un fumetto sia per il passato di storia che per le magnifiche locations, non è molto frequentata/citata  nei comics ma qua e la qualcosa si trova. Qui una citazione nell’avventura di Garth dal titolo  The Orb of Trimandias (28 January – 22 May 1972).

garth721

Garth was a comic strip in the British newspaper Daily Mirror from July 24, 1943, to March 22, 1997. The strip belonged to the action-adventure genre and recounted the exploits of the title character, an immensely strong hero who battled various villains throughout the world and many different chronological eras. Garth was widely syndicated throughout English-speaking countries during its long run. The 1960s Australian fast bowler Garth McKenzie was nicknamed after the comic strip hero.

Steve Dowling and Gordon Boshell were the originators of the Garth character. Dowling wanted to create a British adventure comic strip, and took inspiration from the American comic strips SupermanFlash Gordon and Terry and the Pirates. Dowling and Boshell took on 15-year-old John Allard to work on Garth, who stayed with the strip for its entire lifetime. After 59 adventures Dowling retired and handed Garth over to Allard, which he carried on until 1971 when Eagle comics‘ Dan Dare artist, Frank Bellamy, took over the art with Allard writing the scripts. Garth’s longevity had been established by Don Freeman, who created almost every basic Garth plot on which the saga was built. Peter O’DonnellJim Edgar and Angus Allan also wrote extensively for the strip during its decades-long existence. Philip Harbottle is a leading Garthexpert and collector of the strips, and he wrote several of the stories during the 1990s. Martin Asbury became Garth’s artist after Frank Bellamy’s death in 1976, drawing the strip and writing many of the stories until its final episode in 1997.

In 1993, Bill Storrie produced perhaps a dozen or so 60-page photocopied magazines titled The Gopherville Argus Special Edition No. 1 featuring Garth as a tribute to the writers and artists who had been involved with the strip. Most if not all Garth strips are now owned byMirror.

As of Wednesday 13 August 2008, “Garth” has reappeared on the website of the Daily Mirror, drawn by the artist Huw J. Davies. ( aka HuwJ & currently HuwJ Matsumura )

The Online Strip, was a Successful re- Visiting / Re-Imagineering of the character, Taking him back to the Pre-Steve Dowling Origins and Establishing him in a Historical Setting.

Having successfully worked in the Media Entertainment industry and Printed Media for over 3 decades ( Including Periods at Disney Warner and Fox ) Huw J believed that the Re Imagined version could easily cross from the Digital, back to the Printed medium, and Ultimately licensing to other media. This was Discussed and the future of the character in print was agreed upon. with a new ongoing Daily strip in print being Planned to run at the end of the 2nd Online story arc, King of New York. ( which also established the reasons behind the Characters Dislike for Guns)

However, due to an untimely accident involving Long standing cartoon editor Ken Layson, with who the agreement had been made things became muddied and internal politics with the Mirrorpix licensing arm of the newspaper created issues that delayed and inevitably halted this decision.

HuwJ decided to honor the characters History, and under the terms of his License re-branded the character tipping the hat to Don Freeman longtime writer of the strip by Giving Garth a Surname, the Graphic Novel Titled Captain Garth Freeman of the Armed Services and in 2010 was launched initially under British Publisher Markosia, and was a success! Selling out both at Specialist Comic Stores and Conventions, as well as Online. it was re-Published in 2013 By Pummie Productions ink, At first in its usual format and (also in 2013) with a New Cover by Spider-Man Artist and Stan Lee Collaborator Andy Tong it was repackaged with the Garth Title in Honor of the 70th Anniversary of the character with all proceeds going to Help for Heroes.

In 2015, Published again by Pummie Productions ink, the character Starred Alongside Sexton Blake, in the 1st of what is promised to be a series of Comic books, under the Captain Garth Freeman of the Armed Services title. this again sold out and if the team continues to publish the Comic it will be collected in a bumper edition after the 5th book.

HuwJ Believes that the online revamp of the character was the catalyst that got the longtime fans of the character to push for a return of the hero and what ultimately led the Newspaper and its Licensing arm to re-color the old strips and re launch them in the paper

Garth started a run of reprints in the Daily Mirror coloured by Martin Baines in the issue dated Monday 21 February 2011. and continues at present, the strip and the character are a testament to the longevity of good solid storytelling and characters with robust ideals. and looks to still have a promising future

from: wikipedia

from the New Yorker to FISH

Liam Francis Walsh: I’m a cartoonist, writer, and illustrator, originally from northern Wisconsin. I grew up on a dairy farm with lots of siblings and books and a pet crow. Now I live in the Italian part of Switzerland. My cartoons appear in The New Yorker magazine pretty frequently, and my first children’s book is available now!

fish

A boy and his dog embark on a fishing journey.
Their first catch of the day: a big fat letter F.
Their second? A slippery I.
After an epic journey beneath the lake’s surface, they find what they came for– a FISH, along with some unanticipated menace from a few other letters.

This clever, wordless picture book, by a popular New Yorker cartoonist, is filled with charm and heart and will have no problem swimming its way into the hearts of young readers.

Anna & Mathias – un inferno a Venezia

Mathias e Anna nella nuova avventura a Venezia dal titolo “un inferno a Venezia”. Proseguono le avventure.

Album #2, fall 2016

SERIE: Mathias

STORY/ART: Giancarlo Malagutti

GENRE: Adventure/Mystery/Thriller/Fantasy

TARGET READERSHIP: All ages, both sexes

SETTING: Well known and characteristic cities and locations in Italy

SET IN: The Present Day

STRUCTURE & TONE OF THE STORIES: The two protagonists in this series are

children and, despite their superhuman potentialities, they behave as such. They always

travel accompanied by an adult, they never go out late at night and wherever they stay

they’re in the company of relatives. It is within this context that the storyline develops in

its own way. They’re not out to put the world to rights, yet they are endowed with a

strong sense of justice and they seek to do good in the face of evil.

COLLECTION: Each episode is 44 pages long and is a complete and free-standing story.

Reading them in order is recommended. In full colors.

5 episodes ready for print.

THE PROTAGONISTS:

Mathias is a blond 10 year-old. He’s knowledgeable for his age as a result of his

somewhat cosmopolitan education.

Anna is a freckly 10 year-old redhead. Orphaned at an early age she has an elderly

bedridden granny. Lively, intelligent and with a searching mind, she’s the one with the

sense of humour and sharp one liners.

ARTIST BIO: Giancarlo Malagutti began his career in 1973 by drawing cartoons for the monthly publication Horror. He has worked alongside Renzo Barbieri and Giorgio Cavedon on several cartoons. Malagutti has drawn several one off short stories for Intrepido, Monello and Albo TV and has inked the drawings of Sergio Zaniboni for Diabolik which is where he began to write scripts. In 1981 he began freelancing for IF, working on Japanese cartoons including Princess Zaffiro, Tiger Man and Bia. In 1982 he created the series The Reporters drawn by Zaniboni for Orient Express. After having written a story line for Martin Mystère he worked as a commercial artist for some twelve years until 1994 when he resumed his work in cartoons, writing stories for Lupo Alberto, Cattivik and Mystère. Most recently he has been working on the characters of Chris Carella in collaboration with Sergio Zaniboni and both the drawings and script for Mathias www.mathias.is.it

(For a short biography visit http://www.lambiek.net/artists/m/malagutti_giancarlo.htm)

Personnages principaux:

Mathias est un normal garcon de 9 ans, blondin, mignon. fils de parents aisés qui, à cause de leur travail, lui font parcourir le vaste monde. Il a une bonne culture, malgré son âge, grâce a sa formation cosmopolite. En certaines situations, spécialement lorsque il est sous stress, il réussit à modifier (pour des petites choses) la réalité.

Anna: fillette de 9 ans, cheveux roux et lentilles. Orpheline, elle vit avec une grand-mère agée immobilisée au lit. Tres éveillée, intelligente et curieuse. C’est elle qui s’occupe de sa grand-mère. Elle vit avec l’épée de Damoclés d’être envoyée dans un orphelinat et sa grand-mère expediée à l’hospice de pauvres. très indigente, son unique revenu est la pension de sa grand-mère. Elle parâit seulement dans cet épisode mais elle peut revenir.

Texte/dessins: Giancarlo Malagutti

Genre: mystery/humour/ fantasy

Target: 8/12 ans (mais adultes aussi)

Recostitution: World

Epoque: de notre temps

Giancarlo Malagutti.

Il fait ses débuts en 1973 en réalisant les crayons de quelques histires pour la publication mensuelle Horror (Ed.Astoria). Il dessine quelques histoire sur L’Intrepido, L’Albo et Il Monello (Ed. Universo), Il encre les crayons de S.Zaniboni pour Diabolik.

En 1981 il réalise  la version en bandes dessinées des séries  télévisées de Princesse Saphir, Homme Tigre, Bia. En 1982 il crée la série “The Reporters”

dessinée par Sergio Zaniboni. Aprés avoir écrit pour Martin Mystére (Sergio Bonelli Editore), il se consacre au travail publicitaire et quitte pour le moment l’activité d’auteur de BD  qu’il reprend quelques années aprés en écrivant des scénarios de Lupo Alberto et Cattivik (Acme/macchia nera) et Martin Mystére

 

Fred Harman cartoonist cow boy

Fred Harman, cow boy,  cartoonist, Red Ryder, Little Beaver, the Duchess and all the rest who lend color and drama to the Red Ryder comic strip come alive on Fred Harman’s drawing board at his Pagosa Springs ranch. November, 1950.

Pagosa Springs artist Fred Harman created the wildly popular Red Ryder comic strip. From 1938 to 1963, cowboy hero Red Ryder fought crime throughout the West – sharing adventures with Little Beaver, a young Navajo boy, and sidekick Buckskin Blodgett.

Born in 1902 in St. Joseph, Missouri, Harman moved to Pagosa Springs with his parents when he was 2 months old. Harman spent most of his boyhood in Pagosa Springs working on his parent’s ranch and honing his drawing skills. Harman’s two younger brothers also drew. All three eventually went into cartooning. When Harman was 20, he moved to Kansas City. He and brothers Hugh and Walker worked there as animators for the Kansas City Film Ad Company. One of their co-workers was Walt Disney. After a year, Harman and Disney went into partnership to form Kaycee Studios.

They quickly went broke and Harman told the story of sneaking their belongings out of the studio at 4 a.m. to escape creditors. Disney borrowed enough money to go to Hollywood and Harman borrowed enough to go back to Pagosa Springs.

Brothers Walker and Hugh followed Disney to California, where Hugh partnered with Rudy Ising to create Looney Tunes and Merry Melodies cartoons.

In 1934, Harman launched a Western comic strip called Bronc Peeler. He promoted it himself with little success.

It wasn’t until 1938, when he was in New York illustrating Indian and cowboy life for a publisher, that he drew some samples of the Red Ryder strip. It was an instant hit.

Before 20 newspapers had contracted to run it, a studio bought movie rights. Soon there were Red Ryder comic books, a radio show, TV series and over 30 movies. Some of the movies, like this one, had a young Robert “Bobby” Blake playing Little Beaver.

Anna & Mathias episode 25

Anna and Mathias adventure in Venice

STORY/ART: Giancarlo Malagutti

GENRE: Adventure/Mystery/Thriller/Fantasy

TARGET READERSHIP: All ages, both sexes

SETTING: Well known and characteristic cities and locations in Italy

SET IN: The Present Day

STRUCTURE & TONE OF THE STORIES: The two protagonists in this series are children and, despite their superhuman potentialities, they behave as such. They always travel accompanied by an adult, they never go out late at night and wherever they stay they’re in the company of relatives. It is within this context that the storyline develops in its own way. They’re not out to put the world to rights, yet they are endowed with a strong sense of justice and they seek to do good in the face of evil.

COLLECTION: Each episode is 44 pages long and is a complete and free-standing story.

Reading them in order is recommended. In full colors.

5 episodes ready for print.

THE PROTAGONISTS:

Mathias is a blond 10 year-old. He’s knowledgeable for his age as a result of his somewhat cosmopolitan education.

Anna is a freckly 10 year-old redhead. Orphaned at an early age she has an elderly bedridden granny. Lively, intelligent and with a searching mind, she’s the one with the sense of humour and sharp one liners.

ARTIST BIO: Giancarlo Malagutti began his career in 1973 by drawing cartoons for the monthly publication Horror. He has worked alongside Renzo Barbieri and Giorgio Cavedon on several cartoons. Malagutti has drawn several one off short stories for Intrepido, Monello and Albo TV and has inked the drawings of Sergio Zaniboni for Diabolik which is where he began to write scripts. In 1981 he began freelancing for IF, working on Japanese cartoons including Princess Zaffiro, Tiger Man and Bia. In 1982 he created the series The Reporters drawn by Zaniboni for Orient Express. After having written a story line for Martin Mystère he worked as a commercial artist for some twelve years until 1994 when he resumed his work in cartoons, writing stories for Lupo Alberto, Cattivik and Mystère. Most recently he has been working on the characters of Chris Carella in collaboration with Sergio Zaniboni and both the drawings and script for Mathias www.mathias.is.it

(For a short biography visit http://www.lambiek.net/artists/m/malagutti_giancarlo.htm)

Personnages principaux:

Mathias est un normal garcon de 9 ans, blondin, mignon. fils de parents aisés qui, à cause de leur travail, lui font parcourir le vaste monde. Il a une bonne culture, malgré son âge, grâce a sa formation cosmopolite. En certaines situations, spécialement lorsque il est sous stress, il réussit à modifier (pour des petites choses) la réalité.

Anna: fillette de 9 ans, cheveux roux et lentilles. Orpheline, elle vit avec une grand-mère agée immobilisée au lit. Tres éveillée, intelligente et curieuse. C’est elle qui s’occupe de sa grand-mère. Elle vit avec l’épée de Damoclés d’être envoyée dans un orphelinat et sa grand-mère expediée à l’hospice de pauvres. très indigente, son unique revenu est la pension de sa grand-mère. Elle parâit seulement dans cet épisode mais elle peut revenir.

Texte/dessins: Giancarlo Malagutti

Genre: mystery/humour/ fantasy

Target: 8/12 ans (mais adultes aussi)

Recostitution: World

Epoque: de notre temps

Giancarlo Malagutti.

Il fait ses débuts en 1973 en réalisant les crayons de quelques histires pour la publication mensuelle Horror (Ed.Astoria). Il dessine quelques histoire sur L’Intrepido, L’Albo et Il Monello (Ed. Universo), Il encre les crayons de S.Zaniboni pour Diabolik. En 1981 il réalise  la version en bandes dessinées des séries  télévisées de Princesse Saphir, Homme Tigre, Bia. En 1982 il crée la série “The Reporters” dessinée par Sergio Zaniboni. Aprés avoir écrit pour Martin Mystére (Sergio Bonelli Editore), il se consacre au travail publicitaire et quitte pour le moment l’activité d’auteur de BD  qu’il reprend quelques années aprés en écrivant des scénarios de Lupo Alberto et Cattivik (Acme/macchia nera) et Martin Mystére.