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Walter Aquenza

Walter Aquenza

Milano il 14 may 1927 – Milano 16 may 2009.

aquenza_salgari

Studia all’Istituto Tecnico per Geometri ma nel 1946/47,  prima di completare il corso di studi entra nella Casa Editrice Universo  iniziando a disegnare per la collana Albi dell’Intrepido. Disegna poi per gli Albi Salgari editi dalla EGLA – Edizioni Giornali Libri Fumetti – l’episodio La vendetta dei Thugs da un testo di Omar Salgari, uno dei figli di Emilio.

Per il resto della sua vita professionale, Aquenza si dedicherà all’illustrazione di copertine e illustrazioni di libri dei più vari generi, dai romanzi classici a volumi di consigli per la casa, o per il cucito, o a consigli di giardinaggio e molto altro.

Adam in Cuba #2

adam_cuba4

Adam in Cuba. He may not even have been called Adam, there are lots of men like him around the world, men who have clearly cut their roots, whatever the soil they fed on. No one chooses the place to be born in. When he revealed himself, just one among many, we “recognized” him and molded him. Did we draw inspiration from his life even before we knew him? Or did his life perfectly fit, like a glove with that cartoon strip we still had not written nor drawn?

One day we decided to go and rinse the palettes in the Tropical seas and go on a long holiday around the isle of Cuba.  We were really itching to see the places we had drawn and imagined and illustrated. Suddenly, one night, there he was!

Impossible but it’s him!

Seated at the same piano he played every night, Adam was there.

Giancarlo Malagutti made his debut with illustrations of some stories for the monthly Horror magazine, then worked with the Intrepido Albo and Monello, and later drew the strips of Zaniboni for Diabolik, after which decided to leave aside this work for screenplays.

Manlio Truscia Started with the strips of Tex in 1964. From the 70s to the 80s did the strips of Kriminal and Satanik and drew for Intrepido and Monello for the Universo editors, Edifumetto, Ediperiodici and Adamo of the Corno publishers. He later worked as a visualizer and illustrator.

Adam in Cuba

adam_cuba1

Adam in Cuba. He may not even have been called Adam, there are lots of men like him around the world, men who have clearly cut their roots, whatever the soil they fed on. No one chooses the place to be born in. When he revealed himself, just one among many, we “recognized” him and molded him. Did we draw inspiration from his life even before we knew him? Or did his life perfectly fit, like a glove with that cartoon strip we still had not written nor drawn?

One day we decided to go and rinse the palettes in the Tropical seas and go on a long holiday around the isle of Cuba.  We were really itching to see the places we had drawn and imagined and illustrated. Suddenly, one night, there he was!

Impossible but it’s him!

Seated at the same piano he played every night, Adam was there.

Giancarlo Malagutti made his debut with illustrations of some stories for the monthly Horror magazine, then worked with the Intrepido Albo and Monello, and later drew the strips of Zaniboni for Diabolik, after which decided to leave aside this work for screenplays.

Manlio Truscia Started with the strips of Tex in 1964. From the 70s to the 80s did the strips of Kriminal and Satanik and drew for Intrepido and Monello for the Universo editors, Edifumetto, Ediperiodici and Adamo of the Corno publishers. He later worked as a visualizer and illustrator.

the Reporters copertine inedite

the Reporters copertine inedite per Orient Express, mensile dell’Isola trovata e un volume de Un Uomo un’avventura, Sergio Bonelli Editore.

The adventures of The reporters (new episode #3), two T. V. journalists whose jobs lead them to come up against major and minor dramas.

To give an idea of the style, their stories resemble the T. V. series Hill Street Blues and N.Y. Police Dept. Besides the story, the human side of the main characters and their interpersonal relationships are developed.

The main characters:

Harry, the eldest, once a newspaper reporter (like Lou Grant) changed over to T. V. during the Vietnam period. His thorny character keeps him away from office work and leads him to work out and about with his colleague Allen. Divorced, his wife Linda does not want to see him so he communicates through their daughter Kay, who lives with him.

Allen, Harrys young colleague, whose experience so far has been in television, has been teamed up with the older man to learn the trade. More easy-going and lighter-hearted, a sense of genuine affection binds him to Harry and his feelings for Kay go even deeper.

Kay, Harrys 18 years old daughter is her sophomore year of college majoring in English literature. Even though she has nothing to do with the work of her father and Allen, she seems to fit in with them perfectly. She longs to eventually become a script writer and her closeness to Hollywood is for her a constant inspiration. She is not unaware of Allens shy advances but she keeps him at a distance while at the same time stringing him along.

Four episodes made so far:

1) An elderly rival journalist, who feels his life is passing before him without his having accomplished anything, gets into serious trouble by trying to murder someone so as to be able to do a good deed.

2) Misguided young journalist friend of Allens pointlessly needles the powers that be of the gangster world by creating a fake scoop.

3) Harry passes up a scoop so as not to ruin the few remaining months left in the life of an elderly actor forced to make soap operas to survive.

4) Kay, attracted by the movie world, meets a director but her life is endangered by the mans mental instability, brought to a peak by  divorce.

Happy B’Day Springsteen

Happy B’Day Springsteen special guest in the adventures of The reporters (new episode #3), two T. V. journalists whose jobs lead them to come up against major and minor dramas.

To give an idea of the style, their stories resemble the T. V. series Hill Street Blues and N.Y. Police Dept. Besides the story, the human side of the main characters and their interpersonal relationships are developed.

Port_coverfronte

The main characters:

Harry, the eldest, once a newspaper reporter (like Lou Grant) changed over to T. V. during the Vietnam period. His thorny character keeps him away from office work and leads him to work out and about with his colleague Allen. Divorced, his wife Linda does not want to see him so he communicates through their daughter Kay, who lives with him.

Allen, Harrys young colleague, whose experience so far has been in television, has been teamed up with the older man to learn the trade. More easy-going and lighter-hearted, a sense of genuine affection binds him to Harry and his feelings for Kay go even deeper.

Kay, Harrys 18 years old daughter is her sophomore year of college majoring in English literature. Even though she has nothing to do with the work of her father and Allen, she seems to fit in with them perfectly. She longs to eventually become a script writer and her closeness to Hollywood is for her a constant inspiration. She is not unaware of Allens shy advances but she keeps him at a distance while at the same time stringing him along.

Four episodes made so far:

1) An elderly rival journalist, who feels his life is passing before him without his having accomplished anything, gets into serious trouble by trying to murder someone so as to be able to do a good deed.

2) Misguided young journalist friend of Allens pointlessly needles the powers that be of the gangster world by creating a fake scoop.

3) Harry passes up a scoop so as not to ruin the few remaining months left in the life of an elderly actor forced to make soap operas to survive.

4) Kay, attracted by the movie world, meets a director but her life is endangered by the mans mental instability, brought to a peak by  divorce.

the Reporters 10 of 3

the Reporters 10 of 3

The adventures of The reporters (new episode #3), two T. V. journalists whose jobs lead them to come up against major and minor dramas.

To give an idea of the style, their stories resemble the T. V. series Hill Street Blues and N.Y. Police Dept. Besides the story, the human side of the main characters and their interpersonal relationships are developed.

rep3_10ita

The main characters:

Harry, the eldest, once a newspaper reporter (like Lou Grant) changed over to T. V. during the Vietnam period. His thorny character keeps him away from office work and leads him to work out and about with his colleague Allen. Divorced, his wife Linda does not want to see him so he communicates through their daughter Kay, who lives with him.

Allen, Harrys young colleague, whose experience so far has been in television, has been teamed up with the older man to learn the trade. More easy-going and lighter-hearted, a sense of genuine affection binds him to Harry and his feelings for Kay go even deeper.

Kay, Harrys 18 years old daughter is her sophomore year of college majoring in English literature. Even though she has nothing to do with the work of her father and Allen, she seems to fit in with them perfectly. She longs to eventually become a script writer and her closeness to Hollywood is for her a constant inspiration. She is not unaware of Allens shy advances but she keeps him at a distance while at the same time stringing him along.

Four episodes made so far:

1) An elderly rival journalist, who feels his life is passing before him without his having accomplished anything, gets into serious trouble by trying to murder someone so as to be able to do a good deed.

2) Misguided young journalist friend of Allens pointlessly needles the powers that be of the gangster world by creating a fake scoop.

3) Harry passes up a scoop so as not to ruin the few remaining months left in the life of an elderly actor forced to make soap operas to survive.

4) Kay, attracted by the movie world, meets a director but her life is endangered by the mans mental instability, brought to a peak by  divorce.

the Reporters volume 3 page 9

the Reporters volume 3 page 9

The adventures of The reporters (new episode #3), two T. V. journalists whose jobs lead them to come up against major and minor dramas.

To give an idea of the style, their stories resemble the T. V. series Hill Street Blues and N.Y. Police Dept. Besides the story, the human side of the main characters and their interpersonal relationships are developed.

rep3_09ita

The main characters:

Harry, the eldest, once a newspaper reporter (like Lou Grant) changed over to T. V. during the Vietnam period. His thorny character keeps him away from office work and leads him to work out and about with his colleague Allen. Divorced, his wife Linda does not want to see him so he communicates through their daughter Kay, who lives with him.

Allen, Harrys young colleague, whose experience so far has been in television, has been teamed up with the older man to learn the trade. More easy-going and lighter-hearted, a sense of genuine affection binds him to Harry and his feelings for Kay go even deeper.

Kay, Harrys 18 years old daughter is her sophomore year of college majoring in English literature. Even though she has nothing to do with the work of her father and Allen, she seems to fit in with them perfectly. She longs to eventually become a script writer and her closeness to Hollywood is for her a constant inspiration. She is not unaware of Allens shy advances but she keeps him at a distance while at the same time stringing him along.

Four episodes made so far:

1) An elderly rival journalist, who feels his life is passing before him without his having accomplished anything, gets into serious trouble by trying to murder someone so as to be able to do a good deed.

2) Misguided young journalist friend of Allens pointlessly needles the powers that be of the gangster world by creating a fake scoop.

3) Harry passes up a scoop so as not to ruin the few remaining months left in the life of an elderly actor forced to make soap operas to survive.

4) Kay, attracted by the movie world, meets a director but her life is endangered by the mans mental instability, brought to a peak by  divorce.

the Reporters 8 of 3.

the Reporters 8 of 3.

rep3_8ita

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The adventures of The reporters (new episode #3), two T. V. journalists whose jobs lead them to come up against major and minor dramas.

To give an idea of the style, their stories resemble the T. V. series Hill Street Blues and N.Y. Police Dept. Besides the story, the human side of the main characters and their interpersonal relationships are developed.

The main characters:

Harry, the eldest, once a newspaper reporter (like Lou Grant) changed over to T. V. during the Vietnam period. His thorny character keeps him away from office work and leads him to work out and about with his colleague Allen. Divorced, his wife Linda does not want to see him so he communicates through their daughter Kay, who lives with him.

Allen, Harrys young colleague, whose experience so far has been in television, has been teamed up with the older man to learn the trade. More easy-going and lighter-hearted, a sense of genuine affection binds him to Harry and his feelings for Kay go even deeper.

Kay, Harrys 18 years old daughter is her sophomore year of college majoring in English literature. Even though she has nothing to do with the work of her father and Allen, she seems to fit in with them perfectly. She longs to eventually become a script writer and her closeness to Hollywood is for her a constant inspiration. She is not unaware of Allens shy advances but she keeps him at a distance while at the same time stringing him along.

Four episodes made so far:

1) An elderly rival journalist, who feels his life is passing before him without his having accomplished anything, gets into serious trouble by trying to murder someone so as to be able to do a good deed.

2) Misguided young journalist friend of Allens pointlessly needles the powers that be of the gangster world by creating a fake scoop.

3) Harry passes up a scoop so as not to ruin the few remaining months left in the life of an elderly actor forced to make soap operas to survive.

4) Kay, attracted by the movie world, meets a director but her life is endangered by the mans mental instability, brought to a peak by  divorce.

L’arte vista da tavola

L’arte vista da tavola

Storie di Arte per Ristorante Masseria

Comunicato stampa

Giancarlo Malagutti (Mantova, 1955)

Inizia giovanissimo nel 1968 collaborando con Giorgio Montorio disegnando per ‘Teddy Bob’, Ed. CEA e per

il mensile ‘Horror’, Ed CEA. Dal 1972 al 1980 collabora a varie testate per adulti di Renzo Barbieri e Giorgio

Cavedon e disegna per la Editrice Universo su ‘L’Intrepido’ e ‘Il Monello’. Contemporaneamente inchiostra

le matite di Zaniboni per ‘Diabolik’. È in questa sede che inizia a sceneggiare, tralasciando progressivamente

il disegno. Nel 1981 realizza per conto dello Staff di If la versione a fumetti delle serie televisive giapponesi

‘La Principessa Zaffiro’ e ‘L’Uomo Tigre’. Nel 1982 crea la serie ‘I Reporters’, disegnata da Sergio Zaniboni

e pubblicata sul magazine Orient Express, Ed. L’isola Trovata. Dopo aver scritto sceneggiature di Martin

Mystère per Sergio Bonelli Editore si dedica al lavoro pubblicitario aprendo un proprio studio e abbandona

momentaneamente l’attività di fumettista ma continuando a disegnare, illustrare e scrivere. Scrive anche

qualche libro di cucina, tra questi “Mantova a tavola tutto l’anno”.

Stanco del lavoro pubblicitario dal 1994 riprende a scrivere per il fumetto scrivendo sceneggiature di ‘Lupo

Alberto’ e ‘Cattivik’ per la Acme e ‘Martin Mystère’ per Sergio Bonelli Editore. Ritrovata la passione per il

fumetto scrive le avventure di Chris Carella, il personaggio ‘Adam’, Ed. Outis, attualmente in pubblicazione

in Italia, Olanda, Francia, Belgio, Svizzera, Portogallo e Brasile.

Parallelamente disegna una infinità di libri di favole, racconti, manuali, corsi e libri per bambini. Attualmente

è al lavoro (testo e disegni) su una lunga saga del nuovo personaggio ‘Mathias’.

Non tralasciando in tutti questi anni l’attività di saggista scrive articoli per giornali e magazine sul fumetto,

riporta in Italia il personaggio di Leonard Starr, ‘Mary Perkins On Stage’.

Manlio Truscia (Enna, 1950)

Il primo lavoro di Manlio Truscia fu su Tex Willer nel 1964, quando collaborò per un breve periodo con Erio

Nicolò. Negli anni dal 1970 al 1980 ha realizzato i disegni a matita di ‘Kriminal’ e ‘Satanik’.

Ha disegnato per ‘L’Intrepido’ e ‘Il Monello’ (Edizioni Universo), per Edifumetto e Ediperiodici. Inizia poi una

collaborazione con il settimanale ‘Adamo’, edito da Corno, dove ha lavorato su quattro serie differenti contemporaneamente,

ognuna con il proprio stile. Ora lavora prevalentemente come illustratore, in pubblicità

e nell’editoria educativa.

In occasione di questa mostra l’artista presenterà la graphic novel inedita ‘Remolik’.

GIANCARLO MALAGUTTI – Manlio Tru scia

Inaugurazione 8 settembre 2016 ore 19.00

Presentazione di Renzo Margonari

seguirà rinfresco – gli artisti resteranno a dispozione del pubblico per firmacopie

Dal 9 settembre al 9 ottobre 2016

Aperto tutti i giorni escluso il giovedì dalle 10.00 alle 23.00

Piazza Broletto, 8 – Mantova – Tel. 0376 365303

info@ristorantemasseria.it – www.ristorantemasseria.it

 

l Palazzo del Massaro è un edificio storico di Mantova, sito in Piazza Broletto.

Fu costruito nel XIV secolo ed ospitava la sede del massaro, amministratore dei beni del Comune. L’edificio è collegato, attraverso l’Arengario, al Palazzo del Podestà, del 1227. Intorno alla prima metà del Cinquecento, alla struttura originaria venne soprapposto un altro edificio verso la piazza, al fine di poterlo allineare con il Palazzo della Dogana, sede del Consiglio degli Anziani.

Alcune stanze del palazzo vennero probabilmente utilizzate a residenza di Francesco Gonzaga, figlio del marchese Ludovico III Gonzaga, dopo aver ottenuto la porpora cardinalizia. Un affresco con lo stemma cardinalizio farebbe risalire al suo proprietario. Francesco abitò forse il palazzo dal 1461 al 1466, anno in cui venne nominato vescovo di Mantova (fino al 1483).

Durante i lavori di restauro nei primi anni Ottanta, sono venuti alla luce sotto gli intonaci importanti affreschi databili alla metà del Quattrocento, probabilmente opera di allievi della scuola di Pisanello.

fonte: Wikipedia

Anna & Mathias volume 2

Anna & Mathias volume 2 scheduled for fall-winter 2016.

Adventure in Venice “un Inferno a Venezia”.

Books in Italian, French, English, Spanish.

SERIE: Mathias

STORY/ART: Giancarlo Malagutti

GENRE: Adventure/Mystery/Thriller/Fantasy

TARGET READERSHIP: All ages, both sexes

SETTING: Well known and characteristic cities and locations in Italy

SET IN: The Present Day

STRUCTURE & TONE OF THE STORIES: The two protagonists in this series are

children and, despite their superhuman potentialities, they behave as such. They always

travel accompanied by an adult, they never go out late at night and wherever they stay

they’re in the company of relatives. It is within this context that the storyline develops in

its own way. They’re not out to put the world to rights, yet they are endowed with a

strong sense of justice and they seek to do good in the face of evil.

COLLECTION: Each episode is 44 pages long and is a complete and free-standing story.

Reading them in order is recommended. In full colors.

5 episodes ready for print.

THE PROTAGONISTS:

Mathias is a blond 10 year-old. He’s knowledgeable for his age as a result of his

somewhat cosmopolitan education.

Anna is a freckly 10 year-old redhead. Orphaned at an early age she has an elderly

bedridden granny. Lively, intelligent and with a searching mind, she’s the one with the

sense of humour and sharp one liners.

ARTIST BIO: Giancarlo Malagutti began his career in 1973 by drawing cartoons for the monthly publication Horror. He has worked alongside Renzo Barbieri and Giorgio Cavedon on several cartoons. Malagutti has drawn several one off short stories for Intrepido, Monello and Albo TV and has inked the drawings of Sergio Zaniboni for Diabolik which is where he began to write scripts. In 1981 he began freelancing for IF, working on Japanese cartoons including Princess Zaffiro, Tiger Man and Bia. In 1982 he created the series The Reporters drawn by Zaniboni for Orient Express. After having written a story line for Martin Mystère he worked as a commercial artist for some twelve years until 1994 when he resumed his work in cartoons, writing stories for Lupo Alberto, Cattivik and Mystère. Most recently he has been working on the characters of Chris Carella in collaboration with Sergio Zaniboni and both the drawings and script for Mathias www.mathias.is.it

(For a short biography visit http://www.lambiek.net/artists/m/malagutti_giancarlo.htm)

Personnages principaux:

Mathias est un normal garcon de 9 ans, blondin, mignon. fils de parents aisés qui, à cause de leur travail, lui font parcourir le vaste monde. Il a une bonne culture, malgré son âge, grâce a sa formation cosmopolite. En certaines situations, spécialement lorsque il est sous stress, il réussit à modifier (pour des petites choses) la réalité.

Anna: fillette de 9 ans, cheveux roux et lentilles. Orpheline, elle vit avec une grand-mère agée immobilisée au lit. Tres éveillée, intelligente et curieuse. C’est elle qui s’occupe de sa grand-mère. Elle vit avec l’épée de Damoclés d’être envoyée dans un orphelinat et sa grand-mère expediée à l’hospice de pauvres. très indigente, son unique revenu est la pension de sa grand-mère. Elle parâit seulement dans cet épisode mais elle peut revenir.

Texte/dessins: Giancarlo Malagutti

Genre: mystery/humour/ fantasy

Target: 8/12 ans (mais adultes aussi)

Recostitution: World

Epoque: de notre temps

Giancarlo Malagutti.

Il fait ses débuts en 1973 en réalisant les crayons de quelques histires pour la publication mensuelle Horror (Ed.Astoria). Il dessine quelques histoire sur L’Intrepido, L’Albo et Il Monello (Ed. Universo), Il encre les crayons de S.Zaniboni pour Diabolik.

En 1981 il réalise  la version en bandes dessinées des séries  télévisées de Princesse Saphir, Homme Tigre, Bia. En 1982 il crée la série “The Reporters”

dessinée par Sergio Zaniboni. Aprés avoir écrit pour Martin Mystére (Sergio Bonelli Editore), il se consacre au travail publicitaire et quitte pour le moment l’activité d’auteur de BD  qu’il reprend quelques années aprés en écrivant des scénarios de Lupo Alberto et Cattivik (Acme/macchia nera) et Martin Mystére