Tag Archivio per: Reed Crandall

Frank Tashlin Cartoonist

Frank Tashlin Cartoonist.

Born in Weehawken, New Jersey, Tashlin drifted from job to job after dropping out of high school in New Jersey at age 13. In 1930, he began working for John Foster as a cartoonist on the Aesop’s Fables cartoon series, then worked briefly for Amadee J. Van Beuren, but he was just as much a drifter in his animation career as he had been as a teenager. Tashlin joined Leon Schlesinger’s cartoon studio at Warner Bros. as an animator in 1933, where he was known as a fast animator. He used his free time to start his own comic strip in 1934 called Van Boring, inspired by former boss Van Beuren, which ran for three years.He signed his comic strip “Tish Tash,” and used the same name for his cartoon credits (at the time it was considered extremely unprofessional to use anything except one’s birth name among animators, but Tashlin was able to get away with this due to the anti-Germanic feelings of that era). Tashlin was fired from the studio when he refused to give Schlesinger a cut of his comic strip revenues. He joined the Ub Iwerks studio in 1934. He moved to Hal Roach’s studio in 1935 as a writer.uttore esecutivo alla Columbia Pictures nella divisione cartoni animati.

how_to_create

How to Create Cartoons by Frank Tashlin

Xtina Is It Time to Go on a Diet?

Xtina Is It Time to Go on a Diet?

Xtina 8 marzo c’ è poco da festeggiare

Xtina 8 marzo c’ è poco da festeggiare

Xtina Christmas gift

Xtina Christmas gift

Anna & Mathias a second Xmas Story

Anna & Mathias a second Xmas Story

Outis Xmas Special

Outis Xmas Special

Amazons # 1 (due covid 19) scheduled for spring 2022

Amazons #1 (due covid 19) scheduled for spring 2022

the forgotten Leonard Starr: Cannonball Carmody

the forgotten Leonard Starr: Cannonball Carmody

Title: Pas d’armes pour Carmody

short story  (10 pages) in Tintin 190 – 27 April 1979

the forgotten Leonard Starr Cannonball Carmody

Another Xtina’s week Two

Another Xtina’s week Two

A Comics pie chart

A Comics pie chart

Dunque vuoi fare i fumetti? Quindi disegni. E se disegni sei un disegnatore. E vuoi fare i fumetti. 

Se sei un disegnatore vuol dire che puoi disegnare. Non solo i fumetti. Il mercato del fumetto è molto piccolo ormai. E Dylan e Tex non possono assumere tutti.

Ma se apri un po la visuale c’è una prateria di occasioni: Pubblicità, Impaginazione, Illustrazione, Manifesti, Storyboard, Ritrattistica (umani e animali), Parchi giochi, Murales (ospedali, asili, case private), Trompe l’oeil, Ritratti a Ponte Vecchio, Disegni per editoria privata (con tutti quelli che si autopubblicano), ecc, ecc.

E ti prego, se qualcuno ti cerca (fatti salvi i diritti basic) non fare il sostenuto/a, alla fin-fine se disegni una pagina ogni 5 giorni (a 120 euro) non è che guadagni questo gran che. 

Monica literary agent