“Quand Maigret décida de partir à la pêche, ce matin-là, il emporta un panier avec un sandwich et quelques bouteilles de bière. Il s’installa au bord de la rivière et déploya sa canne. Après des heures d’attente, aucun poisson n’avait mordu. Dépité, il ouvrit son panier, but une bière, puis, comme il avait faim, il prit le sandwich. Déjà, il salivait à la pensée du bon pâté qu’il devait contenir, et il mordit dans le pain doré. Mais, quelle déception ! Dans le sandwich, il n’y avait qu’une feuille de salade et une tranche de fromage ! Maigret allait jeter le papier qui enveloppait le sandwich, quand il vit qu’il y avait un message: «Maigret, je t’ai préparé une belle truite au four. Viens vite la manger !»“
from the http://www.enquetes-de-maigret.com/
https://www.outisfumetti.com/wp-content/uploads/2016/04/poisson.jpg1071755Giancarlo Malaguttihttps://www.outisfumetti.com/wp-content/uploads/2025/09/logo-blu.pngGiancarlo Malagutti2023-11-14 09:00:002023-11-14 09:00:00Madame Maigret’s April Fool’s
Luigi d’Antonio (16 March 1927 – 24 December 2006, Italy)
Gino d’Antonio started his professional career in 1947 with ‘Jess Dakota’ at Della Casa publishers. In 1950, he illustrated Mario Leone’s ‘Angeli della Strada’. Between 1951 and 1957, he was present at Il Vittorioso with ‘Il Trasvolatore dell Api’. In 1952, he went to work on Mondadori’s ‘Pecos Bill’ and ‘Oklahoma’ series. He was also present at Audace with some Bonelli scripted episodes of ‘El Kid’ and ‘I Tre Bill’.
In 1955, he was employed at a graphic studio directed by Piero and Roy D’Ami, where he worked for the British market. D’Antonio illustrated comics for Junior Mirror, Junior Express, Top Shot, Thriller Picture Library (‘Battler Britton’), Cowboy Picture Library (‘Gun Rule’), Fleetway Super Library and War Picture Library. He also did covers for Eagle and Boys World, and drew adaptations for traditional literature for Tell me Why and World of Wonder.
In 1967, he created ‘Il Storia del West’ for the publisher Sergio Bonelli. D’Antonio worked on this series until 1980, working together with artists like Renzo Calegari, Sergio Tarquinio and Renato Polese. In the late 1960s and early 1970s, d’Antonio cooperated on ‘La Avventure di Pace e di Guerra’ in Il Corriere dei Piccoli and with the magazine Supergulp. From 1970, he was present in Il Giornalinio with series like ‘Jim Lacy’ (scripts by Alberto Ongaro), and Susanna (artwork in cooperation with Renato Polese and Ferdinando Tacconi). He was a productive contributor to the series ‘Un Uomo, un’Avventura’, for which he provided artwork (‘L’Uomo di Zululand’, ‘L’Uomo di Iwo Jima’) and scripts illustrated by Tacconi (‘L’Uomo del Deserto’, ‘L’Uomo di Rangoon’) and Polese (‘L’Uomo di Pechino’).
from https://www.lambiek.net
https://www.outisfumetti.com/wp-content/uploads/2016/08/susanna_dantonio.jpg850592Giancarlo Malaguttihttps://www.outisfumetti.com/wp-content/uploads/2025/09/logo-blu.pngGiancarlo Malagutti2023-11-13 09:00:002023-11-13 09:00:00Susanna by Gino D’Antonio. quando un volume?
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
https://www.outisfumetti.com/wp-content/uploads/2023/11/Xtina-symbols-as-a-language-scaled-1.jpg9582560Giancarlo Malaguttihttps://www.outisfumetti.com/wp-content/uploads/2025/09/logo-blu.pngGiancarlo Malagutti2023-11-05 09:00:002023-11-05 09:00:00Xtina symbols as a language?
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
https://www.outisfumetti.com/wp-content/uploads/2023/10/Adam‘s-Rome-Open-City-War-Love-episode-63ENG.jpg23471667Giancarlo Malaguttihttps://www.outisfumetti.com/wp-content/uploads/2025/09/logo-blu.pngGiancarlo Malagutti2023-10-28 09:00:002023-10-28 09:00:00Adam‘s Rome Open City War & Love episode 63
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
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