Tag Archivio per: Daleks

Blek #100 with giant poster

Blek #100 with giant poster art Manlio Truscia

Il Grande Blek is an Italian western comic book, first published in Italy on October 3, 1954 by Editoriale Dardo. Blek was written and illustrated by Giovanni Sinchetto, Dario Guzzon and Pietro Sartoris, also known as trio EsseGesse.

Blek is the leader of a group of trappers during the American Revolutionary War, who fight against the cruel Redcoats, the symbol of British colonialist oppression. Blek’s best friends and allies are his stepson Roddy Lassiter and Professor Cornelius Occultis. Although not present in every episode, lawyer Connoly, the leader of American revolutionaries in Boston, is another prominent character. Benjamin Franklin also made occasional 

In Italy

The prototype of the character was published in another comic called Il Piccolo Trapper in 1953, inspired by the works of Fenimore Cooper and Zane Grey. The blonde giant appeared a year later. From 1954 to 1967, 654 strips were published in the Collana Araldo series. In its heyday, the strip boasted a weekly circulation of 400,000. However, the authors moved on to create Comandante Mark after a financial disagreement with the original publisher in 1965.

In addition to Italy, Blek was reprinted in other countries such as Greece (as ΜΠΛΕΚ), Turkey (as Teksas, Çelik Blek), France (as Blek le Roc), and former Yugoslavia (as Veliki Blek). The Slovenian national minority in Italy was introduced to Blek in Slovenian language in 1959 (as Silni Tom, meaning Tough Tom); Slovenian translation was changed to Veliki Blek in 1990s. In Scandinavia he was called Davy Crockett, although he has nothing to do with the historical figure.

In France

Carlo Cedroni, Nicola Del Principe and many others continued the production for Éditions Lug, while the list of French authors included Jean-Yves Mitton and André Amouriq. The title peaked at 300,000 copies. Blek also received a revamped origin; writer Marcel Navarro revealed “Blek” means “Golden Hair” in the language of Native Americans, but that he was born Yannick Leroc in Saint-Malo, France on November 27, 1749.

In Yugoslavia

In former Yugoslavia, Blek was published in the Lunov magnus strip and Strip zabavnik series. The character reached the print run of 100,000, so in 1978 the local publisher (Dnevnik from Novi Sad) decided to produce its own licensed material, colloquially known as YU Blek. The writers were Petar Aladžić, Predrag Ivanović, Miodrag Milanović , Ivica Mitrović and Svetozar Obradović. The list of artists included Stevan Brajdić, Milorad Žarić, Miodrag Ivanović, Predrag Ivanović, D. Ivković, Branislav Kerac, Bojan Kerzan, Pavel Koza, Vladimir Krstić, Spasoje Kulauzov, Marinko Lebović, B. Ljubičić, Stevo Maslek, Nikola Maslovara, Radič Mijatović, Željko Mitrović, Ahmet Muminović, Slavko Pejak, Dušan Pivac, Branko Plavšić, Zdravko Popović, Sibin Slavković (pen name “S. Žunjević”), Ljubomir Filipov and Adam Čurdinjaković. More than 70 episodes were produced, including a sticker album.

Magnus the Maestro

Ricordi pubblici e privati…raccolti a fianco.

Luglio 1975. Un caldo pomeriggio d’estate. Come consuetudine, mi fermo all’edicola in cerca di novità. Erano anni nei quali usciva molta roba buona. Non ristampe di ristampe come oggi. Nuovi albi, nuovi personaggi, riviste generaliste, ecc. Non tutti dei capolavori ma avercene oggi. In un angolo tra le varie testate erotiche, probabilmente messo li più per il formato che per il presunto contenuto una copertina salta agli occhi. Presunto in quando l’albo è, stranamente, cellofanato. Non lo erano nemmeno gli erotici più spinti. Avrei saputo anni dopo il perché. La mano che ha realizzato quella copertina è indubbiamente quella di Magnus. Non c’è la sua firma (un brand allora) ma uno strano ideogramma. La sua firma sarebbe comparsa ancora per qualche mese su Alan Ford. La curiosità è forte. Decido, pur un tantino dubbioso, di spendere le 250. Scarto e… sì, è LUI. Molto diverso, molto più avanti, più maturo di tutto quello che realizzato fino ad allora. La pur embrionale linea chiara al posto del secco bianco e nero all’inizio è un po’ spiazzante, la storia è decisamente molto buona cattura. Una scena, per chi fa sempre disegni veloci senza tempo per sottigliezze e/o sfumature, mi colpisce. Pagina 40. Unknow si piega per scostare un ramo d’albero. Per disegnarla bisogna averci pensato. E’ una piccola cosa ma chi, come anche lui, macina tavole su tavole non ha tempo per pensarci.  Quaranta anni dopo quell’immagine è ancora nel mio database cerebrale e ne esce una citazione in una storiellina per bambini: Anna, Mathias al Gran Premio Nuvolari.

Many Adam under the sky

Many Adam under the sky

Adam is a figure in the Book of Genesis in the Hebrew Bible, from where he was adopted into Christian belief and the Quran. According to the creation myth of the Abrahamic religions, he was the first man. In both Genesis and Quran, Adam and his wife were expelled from a Garden of Eden for eating the fruit of the tree of knowledge of good and evil.

Various forms of creationism and biblical literalism consider Adam to be a historical person. Scientific evidence does not support the idea that the entire human population descends from a single man.

The word adam is also used in the Bible as a pronoun, individually as “a human” and in a collective sense as “mankind”. Biblical Adam (man, mankind) is created from adamah (earth), and Genesis 1–8 makes considerable play of the bond between them, for Adam is estranged from the earth through his disobedience.

adam

How does a scriptwriter react to the misadventures he has always only imagined? 

Adam, who has fled from his country (in our comic it is for political reasons, but it can be changed), has to learn how to survive in a primitive and hostile environment.

The classic fugitive scenario but, being a normal person, he has to deal with situations by drawing on to his cultural background (films/books/comics) rather than using muscle power.

Story: Giancarlo Malagutti

Art: Manlio Truscia

Comics bad language

comics bad language

Born Today Rino Albertarelli

Born Today Rino Albertarelli

Rino Albertarelli (8 June 1908 – 21 September 1974, Italy)   

Italian cartoonist and illustrator Rino Albertarelli was born in 1908 in Cesena. After several jobs, he went to Milan when he was twenty years old. There he met Antonio Rubino, who gave him the opportunity to work for the children’s weekly Il Balilla. After military service, Albertarelli began working with several publishers, like Paravia and Vallardi. His work also appeared in the magazines ‘Viaggi e Avventure‘ and ‘Cartoccino dei Piccoli’. In 1936 he published his first continuing comic stories: ‘I Pirati del Pacifico’ for Argentovivo, and for L’Audace, ‘Capitan Fortuna’ and ‘Big Bill’.

Albertarelli’s most famous comics are ‘Kit Carson’, ‘Gino e Gianni’, ‘Baghongi il Pagliaccio’ (‘Baghongi the Clown’), ‘Il Dottor Faust’, ‘Mefistofele’, ‘Un Gentiluomo di 16 Anni’, and ‘Gioietta Portafortuna’. They were all published in the large-circulation weeklies Topolino and Paperino. An important series of Albertarelli’s gouache drawings were published by Dardo in 1965. Rino Albertarelli continued his work until his death on 21 September 1974.

Courtesy lambiek.net

Born Today Ruggero Giovannini

Born Today Ruggero Giovannini

Ruggero Giovannini (5 June 1922 – 5 March 1983, Italy)   

Ruggero Giovannini was an Italian draughtsman, illustrator and painter. His made his first comic, ‘I Seguaci di Adelchi’ for Il Vittorioso in 1945. This was followed by the ‘Jim Brady’ series, and several comic versions of popular films. He worked for Il Vittorioso until 1969, the year he went to work for Il Giornalino. For this magazine, he drew ‘Bug Barri’ and ‘Harald il Crudele’, as well as ‘Gli Uomini del Pugnale’, ‘Capitan Erik’ and ‘Ricky’. In addition, he drew ‘The Illiad’ for Il Corriere dei Piccoli and ‘Terra che Scotta’ for Collection Tex.

Although employed full time by Il Vittorioso during the 1950s and 1960s, Giovannini also provided artwork for the British Fleetway group through the D’Ami studios. He worked on ‘Dick Daring’ and ‘Robin Hood’ for Thriller Picture Library, ‘Kansas Kid’ for Cowboy Picture Library, and ‘Wild Bill Hickok’ for Radio Fun. He was the artist of several western comics for Top Spot, drew the ‘Adventures of Macbeth’ in Ranger, ‘Olac the Gladiator’ in Tiger and ‘Wulf the Briton’ for Express Weekly magazine.

Courtesy lambiek.net

Dante Alighieri, graphic novels writer

Dante Alighieri, graphic novels writer

Adam Graphic Novel

Adam Graphic Novel only on outisfumetti.com

Adam

How does a scriptwriter react to the misadventures he has always only imagined?
In this episode the story tells about the animated adventure of Adam, an American author of comics and an expatriate in Cuba, and of his unintentional implication in an episode of the revolution of Fidel Castro.

Magnus Eminence le slip chic ADV

Magnus Eminence le slip chic ADV

Agosto 1986, agenzia RSCG

Born today Alvaro (Almay) Maraini

Born today Alvaro (Almay) Maraini 

Alvaro Mairani Almay (Italy)  1913-1997

Alvaro Mairani began his career shortly after World War II, contributing to the periodicals Tiger and Avventure of the publisher Giovanni De Leo. Starting in 1949, he worked for Universo, where he took over ‘Il Principe Azzurro’ and launched ‘Il Cavaliere Ideale’ in L’Intrepido. He has illustrated nearly all the covers for the Albi dell’Intrepido collection from issue 253 onwards. For Salgari magazine, he made ‘Red Bill contro l’Atomica’. He used the pseudonym Almay for his work outside of Universo. He did cover illustrations for Poker, and eventually left the comics field to work exclusively as a painter.

Alvaro MAIRANI (Almay) 1913-1997

Nasce a Milano (Italia) il 15 maggio 1913. Si forma all’Accademia di Bergamo e, a Milano, all’Accademia dell’arte applicata del Castello. Assunto come disegnatore dalle Officine Cromografiche, poi al Touring Club Italiano per realizzare cartine topografiche, progettare marchi aziendali e collaborare alla rivista Le vie del mondo. Nel 1939-1940 disegna copertine per Il Mattino illustrato.

Dopo la guerra realizza “fotoromanzi” dipinti a mezzatinta per il settimanale Luna Park (ed. Rizzoli) e le copertine dell’effimero periodico Poker di Gian Luigi Bonelli, che chiude dopo due soli numeri. Grazie a Bonelli conosce l’editore e disegnatore francese Pierre Mouchott, per il quale disegna le prime copertine degli albi di Fantax e di Robin Hood (pubblicati in Italia dall’editore Giovanni De Leo).

Nel 1946 collabora con il settimanale di “fotoromanzi” Festival e la collana quindicinale Albi Festival (ed. Vitagliano).

Nel 1947 dipinge le tavole dei primi cinque albi giganti mensili Il Super-Albo della Editoriale Sportiva di Vincenzo Baggioli, su testi di Adelio Ponce De Leon, con le avventure di Maor, re di Sidi Omar (Marocco).

Nel 1949 inizia l’intensa collaborazione con la Casa Editrice Universo dei fratelli Del Duca: completa la saga a fumetti de “Il Principe Azzurro” sulle pagine dell’Intrepido, ancora in formato giornale, dal n. 39 al n. 48 e, dal n. 49, dà inizio alla nuova saga de “Il cavaliere ideale”.

Nel 1949 disegna anche (in bianco e nero e firmandosi Almay, su testo di Giusto Vaglieri) l’avventura a fumetti “Red Bill contro l’atomica”, che appare a puntate nei primi 26 numeri del settimanale Salgari e sarà riproposta in albo soltanto nel 1975 da Camillo Moscati nella collana salgariana del Cartoon Museum.

Intorno al 1951, pressato dall’accumularsi degli impegni e dalla produzione di tante copertine (si pensi agli Albi dell’Intrepido), soprattutto dopo l’adozione del formato libretto per Intrepido, l’aggiunta de Il Monello e la nascita delle Raccolte, si vede costretto a passare qualche impegno ai colleghi. Cede così ad Aldo Torchio la saga de “Il Cavaliere ideale” e si fa aiutare da Walter Molino (che firmerà con pseudonimi, almeno finché non avrà risolto il contratto di esclusiva firmato con il Corriere della sera), da Aldo Raimondi e da Fortunino Matanìa.

Tra il 1952 e il 1953 lavora nuovamente per la Francia: in Radar sostituisce il disegnatore Rino Ferrari.

Nel 1963 interrompe la collaborazione con la Casa Editrice Universo. A Milano, in via Moscova, apre uno studio per raccogliere una vasta documentazione iconografica utile ai disegnatori professionisti, ma l’iniziativa non incontra il successo sperato e si conclude in pochi mesi.

Negli anni Sessanta realizza per la Casa Editrice Dardo alcune copertine de Gli albi del Grande Blek e della Raccolta della Collana Prateria del Grande Blek, e dipinge illustrazioni con le destinazioni più diverse: copertine per volumi delle edizioni La Sorgente, copertine a tema didattico per La Domenica dei ragazzi (1965) e illustrazioni western.

I rapporti conflittuali con le case editrici per le quali ha lavorato lo portano infine a occuparsi soltanto di pittura, soprattutto acquerello e olio, rappresentando di preferenza la Milano degli anni Trenta.

Muore a ottantaquattro anni, nel 1997.

courtesy: FFF