Renato Pozzetto legge Jack Kirby, Gli ETERNI, # 1 marzo 1978, Editoriale Corno. nel primo episodio del film Io tigro, tu tigri, egli tigra.
Jack Kirby & Frank Giacoia, traduzione de the Eternals#1, (USA), 1976
The child that read will be an adult that thinks
Renato Pozzetto legge Jack Kirby, Gli ETERNI, # 1 marzo 1978, Editoriale Corno. nel primo episodio del film Io tigro, tu tigri, egli tigra.
Jack Kirby & Frank Giacoia, traduzione de the Eternals#1, (USA), 1976
Xtina New Comic-strip are centered on the life of Xtina in her work as assistant in a Museum. Xtina’s chronicles the daily challenges of a worker. At work, we follow Xtina as she copes with friends, relationships, and the day-to-day trials of a working woman living life in the 21st century.
Adam in la Habana # 7-8
He may not even have been called Adam, there are lots of men like him around the world, men who have clearly cut their roots, whatever the soil they fed on. No one chooses the place to be born in. When he revealed himself, just one among many, we “recognized” him and molded him. Did we draw inspiration from his life even before we knew him? Or did his life perfectly fit, like a glove with that cartoon strip we still had not written nor drawn?
One day we decided to go and rinse the palettes in the Tropical seas and go on a long holiday around the isle of Cuba. We were really itching to see the places we had drawn and imagined and illustrated. Suddenly, one night, there he was!
Impossible but it’s him!
Seated at the same piano he played every night, Adam was there.
Giancarlo Malagutti made his debut with illustrations of some stories for the monthly Horror magazine, then worked with the Intrepido Albo and Monello, and later drew the strips of Zaniboni for Diabolik, after which decided to leave aside this work for screenplays.
Manlio Truscia Started with the strips of Tex in 1964. From the 70s to the 80s did the strips of Kriminal and Satanik and drew for Intrepido and Monello for the Universo editors, Edifumetto, Ediperiodici and Adamo of the Corno publishers. He later worked as a visualizer and illustrator.
Anna & Mathias #41 page by adventure in Venice “un inferno a Venezia”.
Album #2, fall 2016
SERIE: Mathias
STORY/ART: Giancarlo Malagutti
GENRE: Adventure/Mystery/Thriller/Fantasy
TARGET READERSHIP: All ages, both sexes
SETTING: Well known and characteristic cities and locations in Italy
SET IN: The Present Day
STRUCTURE & TONE OF THE STORIES: The two protagonists in this series are
children and, despite their superhuman potentialities, they behave as such. They always
travel accompanied by an adult, they never go out late at night and wherever they stay
they’re in the company of relatives. It is within this context that the storyline develops in
its own way. They’re not out to put the world to rights, yet they are endowed with a
strong sense of justice and they seek to do good in the face of evil.
COLLECTION: Each episode is 44 pages long and is a complete and free-standing story.
Reading them in order is recommended. In full colors.
5 episodes ready for print.
THE PROTAGONISTS:
Mathias is a blond 10 year-old. He’s knowledgeable for his age as a result of his
somewhat cosmopolitan education.
Anna is a freckly 10 year-old redhead. Orphaned at an early age she has an elderly
bedridden granny. Lively, intelligent and with a searching mind, she’s the one with the
sense of humour and sharp one liners.
ARTIST BIO: Giancarlo Malagutti began his career in 1973 by drawing cartoons for the monthly publication Horror. He has worked alongside Renzo Barbieri and Giorgio Cavedon on several cartoons. Malagutti has drawn several one off short stories for Intrepido, Monello and Albo TV and has inked the drawings of Sergio Zaniboni for Diabolik which is where he began to write scripts. In 1981 he began freelancing for IF, working on Japanese cartoons including Princess Zaffiro, Tiger Man and Bia. In 1982 he created the series The Reporters drawn by Zaniboni for Orient Express. After having written a story line for Martin Mystère he worked as a commercial artist for some twelve years until 1994 when he resumed his work in cartoons, writing stories for Lupo Alberto, Cattivik and Mystère. Most recently he has been working on the characters of Chris Carella in collaboration with Sergio Zaniboni and both the drawings and script for Mathias www.mathias.is.it
(For a short biography visit http://www.lambiek.net/artists/m/malagutti_giancarlo.htm)
Personnages principaux:
Mathias est un normal garcon de 9 ans, blondin, mignon. fils de parents aisés qui, à cause de leur travail, lui font parcourir le vaste monde. Il a une bonne culture, malgré son âge, grâce a sa formation cosmopolite. En certaines situations, spécialement lorsque il est sous stress, il réussit à modifier (pour des petites choses) la réalité.
Anna: fillette de 9 ans, cheveux roux et lentilles. Orpheline, elle vit avec une grand-mère agée immobilisée au lit. Tres éveillée, intelligente et curieuse. C’est elle qui s’occupe de sa grand-mère. Elle vit avec l’épée de Damoclés d’être envoyée dans un orphelinat et sa grand-mère expediée à l’hospice de pauvres. très indigente, son unique revenu est la pension de sa grand-mère. Elle parâit seulement dans cet épisode mais elle peut revenir.
Texte/dessins: Giancarlo Malagutti
Genre: mystery/humour/ fantasy
Target: 8/12 ans (mais adultes aussi)
Recostitution: World
Epoque: de notre temps
Giancarlo Malagutti.
Il fait ses débuts en 1973 en réalisant les crayons de quelques histires pour la publication mensuelle Horror (Ed.Astoria). Il dessine quelques histoire sur L’Intrepido, L’Albo et Il Monello (Ed. Universo), Il encre les crayons de S.Zaniboni pour Diabolik.
En 1981 il réalise la version en bandes dessinées des séries télévisées de Princesse Saphir, Homme Tigre, Bia. En 1982 il crée la série “The Reporters”
dessinée par Sergio Zaniboni. Aprés avoir écrit pour Martin Mystére (Sergio Bonelli Editore), il se consacre au travail publicitaire et quitte pour le moment l’activité d’auteur de BD qu’il reprend quelques années aprés en écrivant des scénarios de Lupo Alberto et Cattivik (Acme/macchia nera) et Martin Mystére
Martha Wayne or Martha Wayne?
The Story of Martha Wayne (not Batman’s Martha Wayne) began on May 4, 1958. Writer/artist was Wilson Scruggs, and his wife Ellinor was the model for Martha Wayne, a war widow. Scruggs, born in Washington, D.C., had a background in illustration and had contributed to Life, The Saturday Evening Post, Collier’s and Redbook. He was a student of illustrator Harvey Dunn.
Quiz film misterioso: soluzione. Pubblicato qualche tempo
Quel film con un fumettaro…? Quale era il titolo?
Arnaldo Piero Carpi, noto come Pier Carpi (Arceto di Scandiano, 16 gennaio 1940 – Viadana, 26 giugno 2000), è stato un fumettista, scrittore e regista italiano.
Fu inventore del mensile Horror e molte altre cose, tra le sue poliedriche attività – e forse questa è la più dimenticata – fu vignettista, illustrate da se, soprattutto per il Giallo Mondadori del quale fu collaborato anche con testi.
Xtina Sunday comic-strips are centered on the life of Xtina in her work as assistant in a Museum. Xtina’s chronicles the daily challenges of a worker. At work, we follow Xtina as she copes with friends, relationships, and the day-to-day trials of a working woman living life in the 21st century.
Adam in la Habana pages 5 and 6.
He may not even have been called Adam, there are lots of men like him around the world, men who have clearly cut their roots, whatever the soil they fed on. No one chooses the place to be born in. When he revealed himself, just one among many, we “recognized” him and molded him. Did we draw inspiration from his life even before we knew him? Or did his life perfectly fit, like a glove with that cartoon strip we still had not written nor drawn?
One day we decided to go and rinse the palettes in the Tropical seas and go on a long holiday around the isle of Cuba. We were really itching to see the places we had drawn and imagined and illustrated. Suddenly, one night, there he was!
Impossible but it’s him!
Seated at the same piano he played every night, Adam was there.
Giancarlo Malagutti made his debut with illustrations of some stories for the monthly Horror magazine, then worked with the Intrepido Albo and Monello, and later drew the strips of Zaniboni for Diabolik, after which decided to leave aside this work for screenplays.
Manlio Truscia Started with the strips of Tex in 1964. From the 70s to the 80s did the strips of Kriminal and Satanik and drew for Intrepido and Monello for the Universo editors, Edifumetto, Ediperiodici and Adamo of the Corno publishers. He later worked as a visualizer and illustrator.
Anna e Mathias #40 weekly page by adventure in Venice “un inferno a Venezia”.
Album #2, fall 2016
SERIE: Mathias
STORY/ART: Giancarlo Malagutti
GENRE: Adventure/Mystery/Thriller/Fantasy
TARGET READERSHIP: All ages, both sexes
SETTING: Well known and characteristic cities and locations in Italy
SET IN: The Present Day
STRUCTURE & TONE OF THE STORIES: The two protagonists in this series are
children and, despite their superhuman potentialities, they behave as such. They always
travel accompanied by an adult, they never go out late at night and wherever they stay
they’re in the company of relatives. It is within this context that the storyline develops in
its own way. They’re not out to put the world to rights, yet they are endowed with a
strong sense of justice and they seek to do good in the face of evil.
COLLECTION: Each episode is 44 pages long and is a complete and free-standing story.
Reading them in order is recommended. In full colors.
5 episodes ready for print.
THE PROTAGONISTS:
Mathias is a blond 10 year-old. He’s knowledgeable for his age as a result of his
somewhat cosmopolitan education.
Anna is a freckly 10 year-old redhead. Orphaned at an early age she has an elderly
bedridden granny. Lively, intelligent and with a searching mind, she’s the one with the
sense of humour and sharp one liners.
ARTIST BIO: Giancarlo Malagutti began his career in 1973 by drawing cartoons for the monthly publication Horror. He has worked alongside Renzo Barbieri and Giorgio Cavedon on several cartoons. Malagutti has drawn several one off short stories for Intrepido, Monello and Albo TV and has inked the drawings of Sergio Zaniboni for Diabolik which is where he began to write scripts. In 1981 he began freelancing for IF, working on Japanese cartoons including Princess Zaffiro, Tiger Man and Bia. In 1982 he created the series The Reporters drawn by Zaniboni for Orient Express. After having written a story line for Martin Mystère he worked as a commercial artist for some twelve years until 1994 when he resumed his work in cartoons, writing stories for Lupo Alberto, Cattivik and Mystère. Most recently he has been working on the characters of Chris Carella in collaboration with Sergio Zaniboni and both the drawings and script for Mathias www.mathias.is.it
(For a short biography visit http://www.lambiek.net/artists/m/malagutti_giancarlo.htm)
Personnages principaux:
Mathias est un normal garcon de 9 ans, blondin, mignon. fils de parents aisés qui, à cause de leur travail, lui font parcourir le vaste monde. Il a une bonne culture, malgré son âge, grâce a sa formation cosmopolite. En certaines situations, spécialement lorsque il est sous stress, il réussit à modifier (pour des petites choses) la réalité.
Anna: fillette de 9 ans, cheveux roux et lentilles. Orpheline, elle vit avec une grand-mère agée immobilisée au lit. Tres éveillée, intelligente et curieuse. C’est elle qui s’occupe de sa grand-mère. Elle vit avec l’épée de Damoclés d’être envoyée dans un orphelinat et sa grand-mère expediée à l’hospice de pauvres. très indigente, son unique revenu est la pension de sa grand-mère. Elle parâit seulement dans cet épisode mais elle peut revenir.
Texte/dessins: Giancarlo Malagutti
Genre: mystery/humour/ fantasy
Target: 8/12 ans (mais adultes aussi)
Recostitution: World
Epoque: de notre temps
Giancarlo Malagutti.
Il fait ses débuts en 1973 en réalisant les crayons de quelques histires pour la publication mensuelle Horror (Ed.Astoria). Il dessine quelques histoire sur L’Intrepido, L’Albo et Il Monello (Ed. Universo), Il encre les crayons de S.Zaniboni pour Diabolik.
En 1981 il réalise la version en bandes dessinées des séries télévisées de Princesse Saphir, Homme Tigre, Bia. En 1982 il crée la série “The Reporters”
dessinée par Sergio Zaniboni. Aprés avoir écrit pour Martin Mystére (Sergio Bonelli Editore), il se consacre au travail publicitaire et quitte pour le moment l’activité d’auteur de BD qu’il reprend quelques années aprés en écrivant des scénarios de Lupo Alberto et Cattivik (Acme/macchia nera) et Martin Mystére