So long, Doc, superinedito

So long, Doc, superinedito pubblicato in una sola copia.

Outis files

“… il nostro medico di famiglia che ci aveva curato per 35 anni andava in pensione, finalmente poteva dedicarsi alle sue passioni: I funghi e Tex Willer. Come potevo sdebitarmi fargli un regalo d’addio senza cadere nelle cose comuni? L’ idea arrivò subito: una avventura in stile galeppiniano, ambientata nel suo far west. Un albetto con una trama ben strutturata ma personalizzata. Lui, il nostro Doc, risolveva un problema con l’aiuto della medicina, un antesignano di Dottor House.” 

Nick Ferrone, 1995

Tintin nel Cinema… ancora

Tintin nel Cinema… ancora. Proseguendo nelle comparsate di elementi tintiniani nei film francesi scopriamo nel film Le Parfum de la dame en noir del solito Bruno Podalydès, il più tintiniano dei registi. Talmente tintiniano da affermare che non farebbe mai un film su Tintin che – pur con le migliori intenzioni – finirebbe per tradire l’opera di Hergé. Nella pellicola, oltre alle solite citazioni – più o meno palesi – fa comparire un ritratto ispirato a quello di Francesco  de Haddoca, antenato di Haddock, dall’album di Tintin il Segreto del Liocorno.

podalydes

Xtina Sunday comic-strip

Xtina Sunday comic-strip

Xtina New Comic-strip are centered on the life of Xtina in her work as assistant in a Museum. Xtina’s chronicles the daily challenges of a worker. At work, we follow Xtina as she copes with friends, relationships, and the day-to-day trials of a working woman living life in the 21st century.

Xtina’s comic-strip, subject, Art and Script-writer: Monica

xtina_2_cover

volume 2 scheduled for December 2016

Adam The Wages of Fear

Adam, The Wages of Fear ou Le salaire de la Peur

adam_cuba1

He may not even have been called Adam, there are lots of men like him around the world, men who have clearly cut their roots, whatever the soil they fed on. No one chooses the place to be born in. When he revealed himself, just one among many, we “recognized” him and molded him. Did we draw inspiration from his life even before we knew him? Or did his life perfectly fit, like a glove with that cartoon strip we still had not written nor drawn?

One day we decided to go and rinse the palettes in the Tropical seas and go on a long holiday around the isle of Cuba.  We were really itching to see the places we had drawn and imagined and illustrated. Suddenly, one night, there he was!

Impossible but it’s him!

Seated at the same piano he played every night, Adam was there.

Port_Adam

Giancarlo Malagutti made his debut with illustrations of some stories for the monthly Horror magazine, then worked with the Intrepido Albo and Monello, and later drew the strips of Zaniboni for Diabolik, after which decided to leave aside this work for screenplays.

Manlio Truscia Started with the strips of Tex in 1964. From the 70s to the 80s did the strips of Kriminal and Satanik and drew for Intrepido and Monello for the Universo editors, Edifumetto, Ediperiodici and Adamo of the Corno publishers. He later worked as a visualizer and illustrator.

 

Anna e Mathias #43

Anna e Mathias #43 ci avviciniamo al gran finale.

SERIE: Mathias

STORY/ART: Giancarlo Malagutti

GENRE: Adventure/Mystery/Thriller/Fantasy

TARGET READERSHIP: All ages, both sexes

SETTING: Well known and characteristic cities and locations in Italy

SET IN: The Present Day

STRUCTURE & TONE OF THE STORIES: The two protagonists in this series are

children and, despite their superhuman potentialities, they behave as such. They always

travel accompanied by an adult, they never go out late at night and wherever they stay

they’re in the company of relatives. It is within this context that the storyline develops in

its own way. They’re not out to put the world to rights, yet they are endowed with a

strong sense of justice and they seek to do good in the face of evil.

COLLECTION: Each episode is 44 pages long and is a complete and free-standing story.

Reading them in order is recommended. In full colors.

5 episodes ready for print.

THE PROTAGONISTS:

Mathias is a blond 10 year-old. He’s knowledgeable for his age as a result of his

somewhat cosmopolitan education.

Anna is a freckly 10 year-old redhead. Orphaned at an early age she has an elderly

bedridden granny. Lively, intelligent and with a searching mind, she’s the one with the

sense of humour and sharp one liners.

ARTIST BIO: Giancarlo Malagutti began his career in 1973 by drawing cartoons for the monthly publication Horror. He has worked alongside Renzo Barbieri and Giorgio Cavedon on several cartoons. Malagutti has drawn several one off short stories for Intrepido, Monello and Albo TV and has inked the drawings of Sergio Zaniboni for Diabolik which is where he began to write scripts. In 1981 he began freelancing for IF, working on Japanese cartoons including Princess Zaffiro, Tiger Man and Bia. In 1982 he created the series The Reporters drawn by Zaniboni for Orient Express. After having written a story line for Martin Mystère he worked as a commercial artist for some twelve years until 1994 when he resumed his work in cartoons, writing stories for Lupo Alberto, Cattivik and Mystère. Most recently he has been working on the characters of Chris Carella in collaboration with Sergio Zaniboni and both the drawings and script for Mathias www.mathias.is.it

(For a short biography visit http://www.lambiek.net/artists/m/malagutti_giancarlo.htm)

Personnages principaux:

Mathias est un normal garcon de 9 ans, blondin, mignon. fils de parents aisés qui, à cause de leur travail, lui font parcourir le vaste monde. Il a une bonne culture, malgré son âge, grâce a sa formation cosmopolite. En certaines situations, spécialement lorsque il est sous stress, il réussit à modifier (pour des petites choses) la réalité.

Anna: fillette de 9 ans, cheveux roux et lentilles. Orpheline, elle vit avec une grand-mère agée immobilisée au lit. Tres éveillée, intelligente et curieuse. C’est elle qui s’occupe de sa grand-mère. Elle vit avec l’épée de Damoclés d’être envoyée dans un orphelinat et sa grand-mère expediée à l’hospice de pauvres. très indigente, son unique revenu est la pension de sa grand-mère. Elle parâit seulement dans cet épisode mais elle peut revenir.

Texte/dessins: Giancarlo Malagutti

Genre: mystery/humour/ fantasy

Target: 8/12 ans (mais adultes aussi)

Recostitution: World

Epoque: de notre temps

Giancarlo Malagutti.

Il fait ses débuts en 1973 en réalisant les crayons de quelques histires pour la publication mensuelle Horror (Ed.Astoria). Il dessine quelques histoire sur L’Intrepido, L’Albo et Il Monello (Ed. Universo), Il encre les crayons de S.Zaniboni pour Diabolik.

En 1981 il réalise  la version en bandes dessinées des séries  télévisées de Princesse Saphir, Homme Tigre, Bia. En 1982 il crée la série “The Reporters”

dessinée par Sergio Zaniboni. Aprés avoir écrit pour Martin Mystére (Sergio Bonelli Editore), il se consacre au travail publicitaire et quitte pour le moment l’activité d’auteur de BD  qu’il reprend quelques années aprés en écrivant des scénarios de Lupo Alberto et Cattivik (Acme/macchia nera) et Martin Mystére

Quanto Hergé nei film francesi?

Quanto Hergé citato nei film francesi?

Bruno Podalydès è un fan di Tintin e dell’opera di Hergé tanto da inserire citazioni esplicite e meno esplicite ( rintracciabili per lo più da altri veri cultori dell’opera di Hegé) in ogni suo film girato. Oggetto feticcio è il razzo dell’album Obiettivo Luna e Uomini sulla Luna. Ma molti altre strizzatine d’occhio alle avventure e ai personaggi compaiono qua e la. Qualcuna l’abbiamo rintracciata (con l’aiuto della rete e dei tintinofili), chi voglia divertirsi a trovarle può visionare i film del regista/attore che sono anche molto piacevoli.

Qui il cameriere del Ristorante Sildavo Klow dall’album lo Scettro di Ottokar. Nel film Dieu seul me voit anche il ristorante e vari ambienti.

 

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