Xtina comic strip for Easter, an evergreen
Xtina comic strip for Easter, an evergreen
Xtina don’t kill the lambs
Xtina’s comic-strip, subject, Art and Script-writer: Monica

Xtina comic strip for Easter, an evergreen
Xtina don’t kill the lambs

Adam new adventure Coming soon

Pubblicità a Fumetti Nevio Zeccara Plasmon TRE
I safari di ErgoPlasmons, Topolino, 1974

quel giorno che ho conosciuto Zorro
Fine estate 1987, Glendale…
Ricordi (raccolti da Monica) prossimamente sul volume “Memorie dal sottoscala del fumetto”

Pubblicità a Fumetti Nevio Zeccara Plasmon DUE
I safari di ErgoPlasmons, Topolino, 1974

Xtina Comic Strip

Adam‘s Rome Open City War & Love the end
Rome, Open City (Italian: Roma città aperta, also released as Open City) is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini’s “Neorealist Trilogy”, followed by Paisan (1946) and Germany, Year Zero (1948).
Open City is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d’Or at the 1946 Cannes Film Festival and being nominated for Best Adapted Screenplay Oscar at the 19th Academy Awards. It launched director Rosselini, screenwriter Fellini, and actress Anna Magnani into the international spotlight.
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Leonard Starr portrait from the Outis files.

Lars Sci-fi comic book by Raffaele Cormio, 1970
Progetto di Raffaele Cormio, probabile fine anni ’60 inizio ’70 forse proposto alla Cepim editrice con la quale collaborava in quegli anni. Purtroppo a noi rimane solo questa (brutta) fotocopia.
