Ferdinando Tacconi the Great

Ferdinando Tacconi the Great

Ferdinando Tacconi (Milano, 27 dicembre 1922 – 11 maggio 2006) Alla fine degli anni quaranta disegna Sciuscià e Nat del Santa Cruz per l’editore Tristano Torelli.Realizza storie belliche per editori inglesi quali Fleetway Publication, Look and Learn, Junior Express.

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ferdinando_tacconi the great

Ferdinando Tacconi got his degree in Applied Arts from Castello Sforzesco. He started to pursue his artistic career after World War II, starting with illustration work for Mondadori’s women’s magazines Confidenze de Liala and Grazzia. He made his first comics for the publisher Paschal Giurleo, such as ‘Morgan il Pirata’, ‘Jack Pilota’, ‘Miss Devil’ and ‘Sciuscià’. He then moved on to Torelli, where he created ‘Nat del Santa Cruz’ with Dalmasso in 1951, followed by ‘El Bravo’ with Bignotti.

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fumetto maîtres Luciano Bottaro

fumetto maîtres Luciano Bottaro

Luciano Bottaro (16 novembre 1931 – 25 novembre 2006)

  • 1949: Luciano Bottaro rentre chez l’éditeur De Leo pour qui il livre des gags et des courts récits. Il y invente Aroldo il bucaniere, mais celui-ci ne sera pas édité tout de suite. Dès cette époque et sans qu’il n’en sache rien, Bottaro est déjà publié en France grâce à des accords entre éditeurs.
  • 1951 : il passe chez l’éditeur Alpe pour qui il crée Tim et les pirates dans le périodique Gaie Fantaisie, mais ce marin sera bientôt remplacé par un autre appelé à rester célèbre : Pépito ! Pendant ce temps, Bottaro travaille tous azimuts. On le voit ainsi avec Joe Polpetta pour l’hebdomadaire Lo Scolaro, puis le sergent Baldo, Maramao et Pop e Fuzzy pour Alpe l’année suivante, mais aussi Pik & Pok et le curieux canard Papy Popero pour l’éditeur Bianconi. À la même époque, il entame aussi une longue et fructueuse collaboration avec la branche italienne de Disney, la revue Topolino en dessinant son premier récit de Donald.

Cont’d wikipedia

web site http://www.lucianobottaro.it

Il Sorpasso di Ferragosto

Il Sorpasso di Ferragosto

Il sorpasso, 1962, regia Dino Risi

A Roma, la mattina del Ferragosto 1962, la città è deserta. Bruno Cortona (Vittorio Gassman) , quarantaduenne vigoroso ma nullafacente e cialtrone, amante della guida sportiva e delle belle donne, al volante della sua Lancia Aurelia B24 convertibile vaga alla ricerca di un pacchetto di sigarette e di un telefono pubblico. Lo accoglie in casa Roberto Mariani (Jean-Louis Trintignant), studente di legge rimasto in città per preparare gli esami. Dopo la telefonata, Bruno chiede a Roberto di fargli compagnia: i due, sulla spinta dell’esuberanza e dell’invadenza di Bruno, intraprendono un viaggio in auto lungo la via Aurelia, a velocità sostenuta, che li porterà in direzione della Toscana, a Castiglioncello, raggiungendo mete occasionali sempre più distanti.

Roberto Diso the master of horses

Roberto Diso the master of horses

Roberto Diso was born in Rome in 1932. He worked for Il Vittorioso since 1954, where he made a couple of comics in cooperation with Santo D’Amico. Later on, he was affiliated with the Giolitti studios, where he produced mainly war stories for the British Fleetway agency, such as ‘Zip Nolan’ in Lion Comic.

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He was also the artist for the first ‘Tiger’ story. For the French market, he provided artwork to ‘Lancelot’ and ‘Dan Panther’ for Éditions Aventures et Voyages, again in cooperation with D’Amico. He also drew adult strips (1965), episodes of ‘Goldrake’ and mystery strips for the German market.

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Santo D’Amico artist from the past

Santo D’Amico (11 December 1927 – 25 October 1995, Italy) artist from the past

After studying at the Liceo Artistico, Santo D’Amico moved on to study Architecture. While still studying, he presented his drawings and comics to several publishers. He had his first publications in Il Giornalino, doing lots of illustrations and “cinema novels” like ‘Sifrid’, ‘Capitani Coraggiosi’ and ‘Guglielmo Tell’. While also cooperating with Paoline publishers, he began a collaboration with Il Vittorioso, for which he illustrated series like ‘Na’Giamba’, ‘Speron d’Oro’, ‘Squadriglia Acrobatica’ and ‘Jolly’, the latter in cooperation with Roberto Diso.

He also worked for the French market, cooperating mostly with Diso on so-called “petits formats”. With Diso, he created ‘Dan Panther’ (1964-69), as well as ‘Atoman contro Killer’ (1965-66). He also worked on series like ‘Perceval’ (1959-60) and ‘Lancelot’ (also in cooperation with Diso, scripts by Jean Ollivier, 1965-87). D’Amico has illustrated 40 episodes of ‘The Phantom’. He spent the final years of his career working for Il Giornalino.

 

Page from “il Vittorioso”, 1960

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